Tag: hollywood

Reddit must share IP addresses of piracy-discussing users, film studios say

For the third time in less than a year, film studios with copyright infringement complaints against a cable Internet provider are trying to force Reddit to share information about users who have discussed piracy on the site.

In 2023, film companies lost two attempts to have Reddit unmask its users. In the first instance, US Magistrate Judge Laurel Beeler ruled in the US District Court for the Northern District of California that the First Amendment right to anonymous speech meant Reddit didn’t have to disclose the names, email addresses, and other account registration information for nine Reddit users. Film companies, including Bodyguard Productions and Millennium Media, had subpoenaed Reddit in relation to a copyright infringement lawsuit against Astound Broadband-owned RCN about subscribers allegedly pirating 34 movie titles, including Hellboy (2019), Rambo V: Last Blood, and Tesla.

In the second instance, the same companies sued Astound Broadband-owned ISP Grande, again for alleged copyright infringement occurring over the ISP’s network. The studios subpoenaed Reddit for user account information, including “IP address registration and logs from 1/1/2016 to present, name, email address, and other account registration information” for six Reddit users, per a July 2023 court filing.

In August, a federal court again quashed that subpoena, citing First Amendment rights. In her ruling, Beeler noted that while the First Amendment right to anonymous speech is not absolute, the film producers had already received the names of 118 Grande subscribers. She also said the film producers had failed to prove that “the identifying information is directly or materially relevant or unavailable from another source.”

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‘South Park’ Mocks Hollywood Trend of Recasting Characters as Minority Women

Paramount+ released the teaser for the new South Park special on Wednesday. The special “Joining the Panderverse” premieres Oct. 27 on the streaming service.

The teaser shows South Park boys Stan, Kyle, Cartman, and Kenny as women. Fan favorite Butters also makes the transformation.

In his original form, Kyle questions what sense this transformation makes. PC Principal tells him Kyle’s the one with the problem.

A synopsis reveals Cartman is dreaming about the end of the world while the adults of South Park contend with A.I.

Paramount+ specials are part of Trey Parker and Matt Stone’s 2021 deal with Viacom. The deal also keeps the South Park series on Comedy Central until 2030.

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Anti-Defamation League Launching Hollywood Watchdog to Monitor Anti-Semitism in Entertainment

The Anti-Defamation League — the left-wing political organization whose mission increasingly appears to be censoring conservatives and other non-leftists who disagree with its agenda  — is launching a new institute that will serve as a Hollywood watchdog to monitor for anti-semitic stereotypes in entertainment.

ADL leaders said the Los Angeles-based institute will work with industry leaders as well as other nonprofit organizations, including the left-wing Common Sense Media.

“It’s not uncommon to see Jews in movies and television, but it is most common to see Jews boxed into stereotypes and tropes that create a narrow — and often negative — impression of the Jewish people,” ADL CEO and national director Jonathan Greenblatt said in a statement issued Tuesday.

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Leah Remini sues Scientology over alleged ‘harassment, intimidation, surveillance and defamation’

Actress Leah Remini has filed a lawsuit against the Church of Scientology for being “dead set on making her life a living hell now that she’s no longer a part of the church,” TMZ reported on Tuesday.

Remini is “being stalked and harassed by the Church of Scientology as part of a coordinated campaign to destroy her life because she left the religion,” TMZ learned from the complaint.

“According to the docs, obtained by TMZ, Leah claims Scientology is stalking her and invading her privacy because the church is determined to silence her and others who are critical of the religion,” TMZ wrote. “Leah claims the alleged abuse coming her way is part of a broader policy and practice of intimidation within the Church of Scientology … which she says dates all the way back to founder L. Ron Hubbard.”

Remini posted a statement to Instagram outlining her reasons for suing the faith.

“After 17 years of harassment, intimidation, surveillance, and defamation, I am filing a lawsuit against Scientology and David Miscavige,” Remini said. “While advocating for victims of Scientology has significantly impacted my life and career, Scientology’s final objective of silencing me has not been achieved. While this lawsuit is about what Scientology has done to me, I am one of thousands of targets of Scientology over the past seven decades. People who share what they’ve experienced in Scientology, and those who tell their stories and advocate for them, should be free to do so without fearing retaliation from a cult with tax exemption and billions in assets.”

Remini added that she is advocating for Scientology’s alleged victims.

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Outspoken climate activist Steven Spielberg has taken delivery of his $250 million superyacht – Even longer than a football field, the diesel-powered 4,444 ton vessel has two swimming pools and, in all possibility, a plush movie theater and a helipad.

The thing about superyachts is that once you get on them, you never get off. Not literally but metaphorically. It stays in your spirit, features in your holiday plans, and there will never be a better way to unwind. This could be why despite selling the 282-foot-long superyacht Seven Seas for $150 million, Spielberg commissioned another Oceanco yacht, also called Seven Seas (named after his seven children). The original Seven Seas is now called Man Of Steel and is owned by Canadian steel billionaire Barry Zekelman.

This month, the 358 feet ship worth $250 million was delivered to the legendary American filmmaker. The Dutch shipyard, as expected, remained unfailingly tight-lipped about the owner’s identity. Still, it doesn’t take a genius to guess the boat with the same name could only belong to the world-famous director.

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James Cameron reveals he knew Titanic sub imploded on Monday – raising questions over rescue secrecy

Hollywood filmmaker James Cameron said he received the information within 24 hours of the disappearance of the submersible Titan that it had imploded when it lost communication with its mothership.

“We got confirmation within an hour that there had been a loud bang at the same time that the sub comms were lost,” Mr Cameron, who directed the 1997 movie Titanic, said.

“A loud bang on the hydrophone. Loss of transponder. Loss of comms. I knew what happened. The sub imploded,” he said, adding that he told colleagues in an email on Monday, “We’ve lost some friends,” and, “It’s on the bottom in pieces right now”.

The submersible carrying five people to the Titanic imploded near the site of the shipwreck and killed everyone on board, authorities said on Thursday. The Titan launched on Sunday around 8am EST and was reported overdue that afternoon about 435 miles south of St John’s, Newfoundland.

But after one hour and 45 minutes, the craft lost contact with its mothership, the Polar Prince.

Those on board were British billionaire Hamish Harding, Titanic expert Paul-Henri Nargeolet, Pakistan-born businessman Shahzada Dawood and his son Suleman Dawood, and OceanGate Expedition’s chief executive Stockton Rush.

“This was a catastrophic implosion of the vessel,” said rear admiral John Mauger of the First Coast Guard District, adding that the bodies of the victims may never be recovered from the Atlantic.

The decorated director’s statement comes amid reports that secret US Navy underwater microphones detected the Titan sub’s implosion several days ago, but the information was released on Thursday.

The Navy used a top secret acoustic detection system to search for any sign of the OceanGate Expeditions submersible soon after it was reported missing on Sunday, a US defence official told The Wall Street Journal.

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Entertainment or propaganda? Washington’s insidious grip on the arts

AN EVIL dictator is on the brink of making a nuclear bomb at a secret facility carved deep inside the Zagros mountains. With no option, the American military deploys jets and, against all odds, destroys the factory — then flies home to the strains of [Highway to the] Danger Zone.

An evil dictator is on the brink of using a nuclear bomb. With no option, the American military deploys secret agents and, against all odds, triggers a democratic revolution by blowing up the dictator in his helicopter to the strains of Katy Perry’s Firework.

I‘ve just outlined the plots of Top Gun: Maverick starring Tom Cruise and The Interview starring Seth Rogan.

But it also describes real world aspirations — here towards Iran and North Korea — from top policymakers across Nato.

These parallels are no coincidence. Because each film was actually subject to script changes imposed by Washington. In the documentary Theaters of War, we show how the CIA and Defence Department have exercised editorial control over thousands of films and TV shows in exchange for lending equipment like helicopters to producers to use on screen.

Such films reflect and construct the paranoid fantasies of our imperial masters, most of them with direct script input: Iran taking Western hostages in Ben Affleck’s Argo; kindly marines unjustly slaughtered for handing out grain to hungry Africans in Black Hawk Down; US politicians too innocent to realise that arming Islamic terrorists will lead to 9/11 in the Julia Roberts hit Charlie Wilson’s War, and the Gerard Butler film Kandahar in which an evil dictator is on the brink of manufacturing a nuclear bomb at a secret facility carved deep inside a mountain. With no option and against all odds…

Is it any wonder that 30 per cent of Americans in a poll said they want to bomb Agrabah, the capital city in Disney’s Aladdin?

Is it any wonder that our politicians, as though clutching rosary beads, prefigure Russia’s invasion of Ukraine with the word “illegal” with no sense of irony and “unprovoked” with no sense of history? When was the last thing you saw depicting Russia which didn’t have it crawling with tyrants? Red Dawn? Rambo; Air Force One; Hunter Killer; James Bond; Jack Ryan; 24; Homeland; Stranger Things…the 6 O’Clock News?

The US government has suppressed scripts — but on others it has overturned their original messages. In the Iron Man screenplay, Robert Downey Jr’s hero was opposed to his father’s arms business. After rewrites he became the ultimate evangelist for a bloodless industry: “Peace means having a bigger stick than the other guy.”

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Hollywood and left-wing foundations behind climate charity quietly bankrolling extremist protest groups

A little-known climate change advocacy organization heavily funded by celebrities and influential left-leaning foundations has been quietly dishing out grants to various activist groups deploying unorthodox and extremist methods across the world to protest fossil fuels, documents reveal.

Anti-fossil fuels groups have been ramping up protests in the United States and overseas as part of a coordinated campaign to bring awareness to climate change by vandalizing fine art, blocking major roads, and even gluing themselves to sports cars. Many of these activist hubs are being bankrolled by Climate Emergency Fund, a Beverly Hills-based charity linked to Hollywood celebrities and top liberal nonprofit organizations aiming to shape the Democratic Party’s agenda, according to tax forms and other documents reviewed by the Washington Examiner.

“Climate Emergency Fund has quickly become the ATM that radical environmental activists turn to fund their latest disruptions,” Caitlin Sutherland, executive director of the conservative watchdog Americans for Public Trust, told the Washington Examiner. “And as their destruction increases, so should the scrutiny on who is bankrolling the Climate Emergency Fund and their ties to more mainstream environmental groups that might disagree with these over-the-top and dangerous tactics.”

Last week, an entity called Declare Emergency that calls fossil fuels reliance “genocidal” and “criminal” took credit for smearing paint on the display case of a sculpture at the National Gallery of Art in Washington, D.C. Just Stop Oil, a group that made headlines in October 2022 for splattering tomato soup on a Vincent Van Gogh painting estimated to be worth $84 million at London’s National Gallery, has been blocking traffic for days in the United Kingdom.

These groups and those like it are either funded directly by Climate Emergency Fund or are part of coalitions backed by CEF, which touts on its website how it has “trained” tens of thousands of activists since being founded in 2019. Both Declare Emergency and Just Stop Oil are part of a coalition with almost a dozen climate protest groups called the A22 Network, which is primarily funded by CEF.

And, unlike the typical run-of-the-mill charity, CEF boasts a star-studded cohort of financial backers and board members, including Rory Kennedy, daughter of the late senator Robert F. Kennedy, Aileen Getty, the billionaire philanthropist and heiress of the Getty family fortune earned in the petroleum industry, and even Hollywood’s Adam McKay, who pledged it $4 million in September 2022 and directed the 2021 climate allegory film Don’t Look Up.

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Hollywood and Its Useful Idiots: Propaganda for the War in Ukraine, Big Pharma, and Every Other Globalist Agenda

Alistair Cooke, a British-born writer who became a BBC film critic early in his career who worked mainly in the United States as a journalist, television personality, radio broadcaster had expressed his honest point of view on Hollywood’s film industry when he said that

“I believe that Hollywood is the most effective and disastrous propaganda factory there has ever been in the history of human beings.”

Since World War II, Hollywood has been one of the main instruments of propaganda for globalist agendas. It began with US President, Franklin D. Roosevelt who established the US Office of War Information (OWI) from June 1942 until September 1945 whose job was to regulate newspapers, radio broadcasts, Hollywood films and all other forms of media in order to propagandize the public in an effort to gain support for America’s involvement in the war.

The OWI launched a global propaganda campaign that oversaw revisions in collaboration with Hollywood producers, and at times, even rejected film scripts that portrayed the US as a negative force on the world stage.  The OWI’s main job was to reject any film that had anti-war material.

There was also the Bureau of Motion Pictures (BMP) which was a division under the OWI that worked with Hollywood executives to decide which movies could benefit the war effort, for example, it authorized several films that had anti-Japanese propaganda, sort of like todays anti-Russia propaganda you find in many Hollywood films. However, over the last 20 years or so, Hollywood propaganda has even become even worse with the help of its Hollywood celebrities who have become mouthpieces for globalist agendas, so let’s call them for what they really are, ‘Useful Idiots.’

It’s amazing that for the last couple of decades many Hollywood celebrities have become self-described experts and spokespeople for US wars, Big Pharma, climate change and other globalist agendas.

Hollywood celebrities act and sing for a living, wear expensive name-brand clothing, and in some cases exploit their children to be part of the new woke culture.

The so-called “Hollywood activists” such as George Clooney, U2 lead singer Bono, and the rest of them are phony as they can be.

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Activist Demands Whites Buy ‘Black Panther’ Tickets for Black People and Possibly Die for Them

Are you planning to see the Black Panther sequel? If you’re white, at least one activist hopes you’ll sit out opening weekend. In fact, she insists that you do — otherwise, you’re a racist.

A viral TikTok video by social media influencer Lavynder Lee has implored People of the Pale: When Black Panther: Wakanda Forever opens November 11th, keep your Caucasian cabooses out of the theater seats.

According to the now-deleted directive, it would be “anti-black” for any “white people” to attend during the initial weekend. The film — at least in the beginning — is for black people only.

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