hollywood – Hellbound and Down

Failing Hollywood Wants a Bailout From Taxpayers and Adam Schiff is Trying to Give it to Them

Just yesterday, it was reported that Hollywood insiders fear the city is turning into the next Detroit. Movie and TV productions are talking their business to other, more attractive locations with fewer rules and better tax rates.

In response to this, Adam Schiff and other lawmakers want to give Hollywood a federal tax subsidy. In other words, they want taxpayers to bail out Hollywood.

Why should average Americans who have nothing to do with the entertainment industry have to help Hollywood fix a problem that they are causing for themselves?

Reason reports:

Adam Schiff Wants Federal Tax Credits for Movie and TV Production

Eager to cut costs, studios increasingly shoot films and TV shows overseas. Unsurprisingly, one lawmaker thinks the government should help.

“Los Angeles has been the world’s entertainment capital for 100 years and still has an unmatched concentration of talent and infrastructure,” Gene Maddaus writes at Variety. “But in an age of globalization, with easy international travel and communication, the city is losing its edge.”

While still synonymous with the entertainment industry, fewer and fewer projects are actually filmed in Hollywood.

The problem primarily comes down to cost. “Everything costs more in L.A., starting with labor, due to the high cost of living and elaborate union agreements,” Maddaus writes. “Other states and countries have developed crew bases of their own, are more solicitous of producers’ needs and offer more generous incentives.”…

“In order to save this industry in America, we need to be competitive with tax credits,” Sen. Adam Schiff (D–Calif.) told Variety. Schiff wants a federal film production tax credit; he said in March he had “largely drafted” a bill but that he needed bipartisan support.

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Why do so many Hollywood celebs have trans or non-binary kids?

Celebrity children identify as trans and non-binary at unbelievable rates. Charlize Theron, Cynthia Nixon, Robert De Niro, Jennifer Lopez and Marc Anthony — whose 18-year-old recently debuted a new name, changing from Emme to Oskar — are just a few of the stars with children who aren’t living as their birth sex.

There’s nothing wrong with being trans. But such an unlikely concentration in a particular community should give one pause — especially when so many of these kids began playing with gender at shockingly young ages.

In a geography where having a trans child has a tinge of chicness to it, one has to wonder: Is this partially due to social contagion? And, if so, don’t parents have a duty to their children to approach the issue of gender with compassionate skepticism?

Theron, Naomi Watts and Liev Schreiber, Jamie Lee Curtis, Dwyane Wade, Mel B, Annette Bening and Warren Beatty — I could go on. The list seems endless and, at a certain point, just starts feeling statistically improbable.

Megan Fox may be the most alarming case. She has not one, not two, but three sons — ages 9 to 13 — who have been photographed out and about with her sporting long pink hair, dresses and shirts with messages about “Strong girls.”

When her eldest started wearing dresses at the ripe age of 2, “I bought a bunch of books that … addressed a full spectrum,” Fox said in a 2022 interview with Glamour UK. “Some of the books are written by transgender children, some of the books are just about how you can be a boy and wear a dress.”

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Hollywood Actress Blows Whistle On Systemic Anti-White Discrimination In Casting

Actress Samaire Armstrong, known for her role in the hit series The O.C., stepped forward with a raw account of Hollywood’s entrenched discrimination. For years, she stayed silent as casting directors repeatedly rejected her for one reason: her race. When she couldn’t hold back any longer she broke that silence, revealing how merit has been sacrificed on the altar of identity politics.

That was five years ago. In the intervening time, Hollywood has doubled and tripled down on this momentum.

Armstrong explained, “Over the last 6 years, I’ve heard nonstop, ‘They’re not looking for white.’ — ‘They liked you, but you’re white.’ And, you know, I kept that to myself in silence…the pendulum has swung so far, you know, like, ‘We’re gonna fit this transgender character in here now that we’re PC.’ Natural, organic stories stopped being told.”

“You gotta wonder, what’s the point of acting school and putting this time into developing the craft if that doesn’t matter anymore?” Armstrong urged.

Her testimony, shared in a PragerU interview and amplified across platforms, underscores a troubling reality: Hollywood isn’t just leaning into diversity — it’s enforcing exclusion.

This isn’t one isolated voice. Armstrong’s experience reflects a broader industry shift where skin color determines opportunity more than skill, training, or audience appeal. In a country still majority white, the creative heart of American entertainment has turned against its foundational talent pool.

The Academy of Motion Picture Arts and Sciences formalized this bias with its “Representation and Inclusion Standards” for Best Picture eligibility. Starting with the 96th Oscars in 2024, films must meet at least two of four detailed standards, backed by a confidential Academy Inclusion Standards form (RAISE).

These rules prioritize “underrepresented” groups — defined to include women, racial or ethnic minorities, LGBTQ+ individuals, and the disabled or deaf — across every level of production.

Standard A: On-Screen Representation, Themes and Narratives
To qualify, a film needs at least one of these:

A lead or significant supporting actor from an underrepresented racial or ethnic group.
At least 30% of actors in minor and supporting roles from at least two underrepresented groups.
A main storyline or theme centered on an underrepresented group.

Standard B: Creative Leadership and Project Team

At least two creative leadership or department head positions filled by underrepresented groups (with at least one from an underrepresented racial or ethnic group).
At least six other key crew or technical positions from underrepresented groups.
At least 30% of the overall crew from at least two underrepresented groups.

Standard C: Industry Access and Opportunities focuses on paid apprenticeships, internships, and training programs targeted at preferred demographics. Standard D: Audience Development requires multiple senior executives or consultants from underrepresented groups in marketing, publicity, and distribution.

These mandates didn’t emerge in a vacuum. They accelerated after 2020 amid corporate panic over social justice pressures. The Academy framed them as promoting “equitable representation” to reflect a “diverse global population.” In practice, they function as barriers against projects centered on white characters or led by white creatives in a nation where whites remain the demographic majority.

Iconic films from Hollywood’s golden eras would fail these tests. Casablanca, The Godfather, Saving Private Ryan, No Country for Old Men, or even Titanic in its original form wouldn’t check enough boxes. The rules don’t just encourage diversity — they penalize storytelling rooted in European-American cultural traditions or historical accuracy.

Armstrong didn’t arrive at her critique lightly. In her PragerU “Stories of Us” segment, she detailed the gradual erosion she witnessed. She acknowledged past imbalances — “Oscars were so white for decades” — but argued the correction overshot into absurdity. Natural character development and subtle narratives gave way to forced inserts and demographic engineering.

Organic tales of human struggle, ambition, love, and loss vanished under layers of ideological checklists.

This hits aspiring actors hard. Acting demands years of classes, auditions, rejections, and honing emotional range. When race becomes the deciding factor, that investment must feel pointless.

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Demi Moore at Cannes: ‘AI Is Here,’ ‘We Can Work With It,’ ‘You Fight It … Is a Battle We Will Lose’

Oscar-nominated actress Demi Moore declared “AI is here” at the Cannes International Film Festival while urging people to find ways to work with it.

Moore, who serves as one of the jury members, shared her thoughts on AI when Variety asked a question.

“Wow, that’s a big question. I think the reality is that to resist — I always feel that against-ness breeds against-ness. AI is here. And so to fight it is to fight something that is a battle that we will lose. So, to find ways in which we can work with it, I think, is a more valuable path to take,” she said.

“To your question of, are we doing enough to protect ourselves? I don’t know the answer to that. And so my inclination would be to say probably not,” she added.

Moore said people should not be afraid of AI, believing it will not replace human creativity.

“The truth is there really isn’t anything to fear because what it can never replace is what true art comes from, which is not the physical, it comes from the soul,” she said. “It comes from the spirit of each and every one of us sitting here, to each and every one of us who creates every day. And that they can never recreate through something that is technical.”

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New Yorkers ‘Stunned’ as Mamdani Admin’s Orders ‘Ruined’ Mothers Day for Countless Families

It’s telling when you finally find a rich person or moneyed entity that New York City Mayor Zohran Mamdani can get behind.

Sure, he’ll berate Citadel hedge fund CEO Ken Griffin outside Griffin’s home with a video touting new property taxes, even though it wasn’t terribly far from where UnitedHealthcare CEO Brian Thompson was assassinated not long ago.

And sure, he’s the kind of guy who talks about the city’s hemorrhaging of wealthy New Yorkers due to his tax policies as an “imagined exodus.”

But at least the infamously leftist mayor knows where to draw the line: He’ll let Hollywood millionaires ruin Mother’s Day for everyone who wanted to go in or around New York City’s Chinatown to let a studio film a movie.

According to the New York Post, Mamdani’s office issued filming permits for “A Quiet Place 3” for Sunday in the historic neighborhood, where residents “were jolted awake with predawn sounds of explosions and had to navigate traffic and parking chaos all day.”

“Residents were left not-so-quietly fuming at the Mamdani administration for issuing permits to Paramount Pictures to film the blockbuster sequel on the special day, gobbling up parking spots on a dozen streets and creating a Mother’s Day madhouse in the neighborhood,” the paper reported.

One woman, who crossed into the movie set with her daughter as a protest, decried the disruption.

“My Mother’s Day is terrible because they’ve blocked the whole f***ing place. It’s already ruined,” she told the newspaper.

A man who spoke to reporters wasn’t much happier.

“This is unexpected and annoying. I just want to get home so I can cook for my wife,” he said.

And this wasn’t an ordinary disruption put upon by billionaire moguls and millionaire actors and directors, either.

At 4 a.m., the whole shindig began with military vehicles and fake weapons lining up around the neighborhood.

By the time Mother’s Day brunches were beginning hours later, the filming had congested traffic around the intersection of Bowery and Canal Street — the heart of the district — making it difficult to reach the not-insignificant number of restaurants there.

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Singer d4vd Finally Arrested in Gruesome Killing of 14-Year-Old Girl — Seven Months After Her Body Was Found Decomposing Inside His Tesla

Rising alt-pop singer d4vd, real name David Anthony Burke, has finally been arrested for the horrific murder of a 14-year-old girl whose dismembered, decomposing body was discovered rotting inside the front trunk of his Tesla.

Los Angeles Police Department officials confirmed Thursday that the 20-year-old Houston-born singer was taken into custody without bail in connection with the September 2025 slaying of Celeste Rivas Hernandez.

The teen’s remains, wrapped in cadaver bags, partially frozen, decapitated, and hacked into pieces, were found by horrified first responders responding to reports of a foul odor emanating from an abandoned, dented Tesla towed from the Hollywood Hills.

NBC Los Angeles reported:

According to the filing in LA Superior Court to compel the appearance of an out-of-state witness, prosecutors wrote that Rivas Hernandez’s remains were discovered on Sept. 8 after a tow yard manager reported the smell of decay coming from the Tesla, which was registered to Burke.

[…]

The Texas judge rejected the efforts to block the enforcement of the demands for testimony Feb. 2, according to a transcript of a hearing.

The Burke witnesses were ordered to appear for testimony the week of Feb. 9, but because grand jury proceedings are secret until an indictment is produced, it’s not known if they ever appeared.

Citing the ongoing investigation the LA County Department of Medical Examiner removed public information about the case last November, which indicated at the time that the cause of Rivas Hernandez’s death was still undetermined.

Law enforcement sources told NBC4 Investigates last year that they believe Rivas Hernandez died in the spring of 2025, and that more than one person may have been involved in her death and the attempted disposal of her body.

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WHAT CHANGED? Hollywood Elitists Who Donated Tons of Cash to Eric Swalwell’s Governor Campaign Suddenly Silent

The donor list for Eric Swalwell’s now dead campaign for governor of California is a virtual who’s who of liberal Hollywood.

Robert De Niro, Sean Penn, Jon Cryer, Kathy Griffin and many others poured tons of cash into Swalwell’s coffers and yet now that his campaign and career have imploded under a shocking scandal, they are all silent.

Let the record show that these people apparently do not care about victims of rape and sexual assault. What other conclusion could one possibly reach?

Breitbart News reports:

Hollywood Elites Who Backed Disgraced Eric Swalwell Go Silent After His Resignation from Congress

With the now thoroughly disgraced former Congressman and California candidate Gov. Eric Swalwell resigning his seat in Congress and suspending his gubernatorial campaign, the left-wing Hollywood celebrities who were so loudly backing him have all of a sudden gone quiet.

A-listers like Sean Penn, Robert De Niro, and Jane Fonda have all gone radio silent in the wake of Swalwell’s crash and burn ending and many of his elite donors have decided not to say a word about their man’s fall from grace, the New York Post noted.

The paper points out that Sean Penn donated $15,000 to Swalwell and on several occasions met up with the California Democrat to show his support. Several others, such as Mad Men star Jon Hamm, rabid anti-Trumper Robert Di Nero, and Jon Cryer each donated $10,000 and often spoke up for Swalwell on social media and in interviews…

Disgraced comedienne Kathy Griffin also gave ten grand, as did TV producers David Bennet and Shawn Ryan, who both ponied up $10K. Before his shocking murder, film director Rob Reiner also gave the same amount to Swalwell. And Creative Artists Agency CEO Bryan Lourd topped them all by shelling out a $12,500 contribution.

The anti-Trump group ‘The Lincoln Project’ also contributed.

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Social Media Panic Lands Joseph Gordon-Levitt a U.N. Gig

Joseph Gordon-Levitt has a new gig, but it’s not in Hollywood. On Tuesday, the actor was appointed as the United Nations’ (U.N.) first global advocate for human-centric digital governance.

In this role, Gordon-Levitt will “strengthen public understanding of how digital technologies shape everyday life, rights and opportunities,” according to a U.N. press release. In other words, he will be one of the U.N.’s chief advocates for regulating social media platforms.

In a video explaining his jargon-filled title, Gordon-Levitt warned that social media is causing an “epidemic of mental health issues and loneliness,” and a “rise in polarization and extremism and authoritarianism.” He said “governments need to get in the game” and curb these “damaging side effects” from social media.

This is not the first time Gordon-Levitt has advocated for crackdowns on online platforms. In February, Gordon-Levitt traveled to Capitol Hill, where he urged senators to pass the Sunset Section 230 Act. The bill, introduced by Sens. Lindsey Graham (R–S.C.) and Dick Durbin (D–Ill.), would repeal Section 230—the federal law that limits platforms’ liability for third party speech—two years after the date of enactment.

The “first step” in combatting the negative influence of Big Tech is to “sunset Section 230,” he said. “I want to see this thing pass 100 to zero. There should be nobody voting to give any more impunity to these tech companies, nobody.”

After receiving backlash for these comments, including from journalist Taylor Lorenz, Gordon-Levitt clarified that he didn’t want to completely scrap Section 230; he only wanted to reform it.

During his speech on Capitol Hill, Gordon-Levitt invoked his authority as a concerned father of three to push for more online safety regulations. But emotional pleas do not always make for good policy. In fact, protecting children online has motivated more than a dozen bills in the House alone, many of which would infringe on free speech and privacy.

One of these bills, the Reducing Exploitative Social Media Exposure for Teens (RESET) Act, would ban anyone under the age of 16 from creating or maintaining social media accounts. Another, the App Store Accountability Act, would require age verification for access to app stores and parental consent for users under 18. Most notably, the controversial Kids Online Safety Act (KOSA) would require online platforms to enforce policies and procedures to “address” various “harms to minors.” Reason’s Elizabeth Nolan Brown notes that KOSA would compel platforms to “censor a huge array of content out of fear that the government might decide it contributed to some vague category of harm and then sue.”

What proponents of these bills often fail to recognize is the many benefits that social media can offer kids. According to a 2022 Pew Research Center poll among teenagers, just 9 percent said that social media had a mostly negative effect on their lives. Citing the upsides of friendships and connections, 32 percent said social media had a mostly positive effect on them. Another study found that disconnection was a greater threat to adolescents’ self-esteem than heavy social media use, challenging the narrative that social media causes isolation.

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Hollywood Hypocrisy Exposed As Elites Leave Trash-Filled Auditorium, Ignore Squalor on Streets Outside

Here’s a travel secret: Hollywood Boulevard should not be on your must-see places to visit. In fact, a recent travel guide showed that tourists rated it the “worst” tourist destination in the world.

It’s dirty, impossible to get to by public transportation, its streets are crawling with crazy people and homelessness, and there’s not really anything to see. Except for a few newer buildings, entire blocks look old and decaying.

It is, however, home to the Academy Awards, which is held in the state-of-the-art Dolby Theater, and if you manage to make your way inside there, you’d forget all about the sleaziness outside.

Hollywood celebs are continually going on about the danger of waste, the planet dying from climate change, and the perils of overconsumption. That doesn’t mean any of their rules apply to themselves, however.

“Clean up on aisle ALL,” said one viral tweet in response.

“Aren’t some of them environmentalists?” wrote another observer on X. “Where’s all that ‘protect the planet’ energy now?”

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