Mike Davis Urges Trump DOJ to Withdraw ‘Ill-Advised’ Support of OpenAI in Copyright Lawsuit

Prominent conservative lawyer Mike Davis is urging the DOJ to “withdraw its statement of interest in the OpenAI lawsuit.” The DOJ’s support of OpenAI in a copyright lawsuit filed by the New York Times seems to contradict the White House AI framework.

In an op-ed for Fox News, Davis maintained that the Trump DOJ should withdraw its recently filed “ill-advised” statement of interest in OpenAI’s lawsuit which argues that Big Tech’s training of large AI models on copyrighted text is “fair use.”

The lawyer and conservative political strategist also reminded the public that training large AI models on copyrighted material is “largely intended for limited free use of copyrighted materials for educational purposes in classrooms.”

Davis goes on to argue that this position would legalize unpaid scraping, asserting that the government’s stance would let Big Tech copy and commercialize “every creative work in America without permission or payment.”

The attorney also cited China and national security rationale as a “scare tactic designed to short-circuit property rights and the rule of law.”

“The government claims this unlimited access is essential for national security, warning any restriction risks losing the AI race to China. That argument is un-American and absurd,” he wrote.

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Tetris Fires Off Warning to White House Over Parody, Implies Trump’s ‘Build the Wall’ Arcade Game Looks Like Copyright Infringement

The company that owns Tetris has publicly threatened the White House over a game that plays like the classic block-stacker, saying it takes copyright infringement “very seriously.”

The Trump administration launched an online arcade of MAGA-themed retro games on Thursday, including a Tetris-style “Build the Wall,” subtitled “Zombie Border Siege.”

In the game, players stack falling blocks into a southern-border barrier and try to keep cartoon zombies and other figures from crossing.

If the stack hits the top, the screen reads “BORDER BREACHED.”

The White House X account plugged the launch with the line “Build the wall. Deport. Fill a Trump Account.”

Naturally, leftists were outraged by the game.

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Chinese chipmaker CXMT allegedly used a written roadmap to steal Samsung DRAM tech — South Korean court says ‘Project Hefei’ lifted 620-step recipe to build 10% global market share

The saga involving Chinese DRAM maker CXMT’s alleged theft of Samsung’s trade secrets is going strong. The South Korean court case already includes multiple convictions, two of which carry prison sentences for ex-Samsung engineers. The latest chapter is a doozy, though. Korean publication NoCut News spilled the chips on Project Hefei, a purported CXMT roadmap outlining long-term planning about said technology “acquisitions,” personnel poaching, and production tape-out — all key pieces that may have directly led to CXMT’s ascension to 10% of the global DRAM market.

According to leaked court documents, the prosecution says that Project Hefei was CXMT’s entire DRAM development plan and was spearheaded by the firm’s head of development (formerly Samsung’s DRAM development lead), around August 2016 — not much longer after CXMT itself was created in June 2016.

In brief, the purported plan was to nab Samsung’s Process Recipe Plan (PRP) by September 2016, poach key Samsung engineers by October 2016, have R&D complete in July 2017, and start making DRAM wafers by August 2018 at a rate of 10,000 a month. NoCut says the PRP dataset comprises 620 steps in DRAM manufacturing and includes data on equipment, consumables, and production methods.

The report states that in August 2016, CXMT first attempted to make wafers of 18nm chips by relying on the collective memories of the Samsung engineers it had hired away. Those recollections apparently proved insufficient, so after allegedly gaining illicit access to Samsung’s PRP, CXMT prepared its own document in September 2016. The leaked data even included specific equipment suppliers and model numbers.

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Court Backs DMCA Takedown of Public Meeting Videos

The US copyright system is often used as a tool of censorship, and a recent court ruling shows that there is little to stop this from happening.

The way the system is set up, it provides a powerful tool for anyone to unceremoniously remove content from the internet, with no questions asked. At least not initially.

That tool is the DMCA takedown notice, and the law that underpins it, and the whole system, is the Digital Millennium Copyright Act (DMCA). One of its sections, 512(f), is meant to deter abuse of this process, but as the court decision shows, it is toothless.

The case concerns a local news outlet in Massachusetts that had its YouTube channel taken down because of videos it posted about local government meetings.

The city of Waltham had outsourced the recording of its meetings to a contractor, Waltham Community Access Corporation (WCAC), and it was this entity that sent the DMCA notices to YouTube, targeting 15 videos on the Channel 781 News outlet.

This resulted in YouTube temporarily deactivating the channel.

But the court found that WCAC had done nothing wrong, and that its consideration of the fair use doctrine was sufficient, even though it was minimal.

The court’s decision was to grant summary judgment to WCAC and dismiss the claim that the takedowns were a misrepresentation under Section 512(f) of the DMCA.

We obtained a copy of the ruling for you here.

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Warner Bros. DMCA Takedowns Hit Lanterns Spoiler Discussion

Warner Bros. Discovery has been using DMCA copyright takedowns to remove posts on social media that contained just discussions about the first episode of the HBO series Lanterns, a report by Puck said.

The posts in question didn’t contain any leaked stills or footage from the show – just people’s comments about a major plot twist revealed in the first episode, which had previously been rumored and reported on by some outlets.

The series, a DC one co-created by Chris Mundy, Damon Lindelof, and Tom King, premiered on Sunday, and its final moments delivered a shocking fate for one of the show’s characters.

Cosmic Book News (this link contains spoilers for Lanterns), an independent pop-culture site run by editor Matt McGloin, had spent months piecing the twist together from casting, promotional footage, and the show’s timeline; by March, McGloin was predicting the ending outright.

Warner Bros. was not happy about this, and went on to use copyright law to remove posts on X, YouTube, and Facebook. The first takedowns happened on July 10, two weeks before Comic-Con, when an anonymous Reddit post claimed to reveal the twist, and it spread to X. An HBO Max social strategist then filed a takedown notice covering six posts from five accounts, including Cosmic Book News, describing the infringement as “people discussing the spoilers of the first episode of Lanterns.”

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Judge approves a $1.5B Anthropic settlement over pirated books used to train the Claude chatbot

A federal judge has approved a $1.5 billion copyright settlement in which artificial intelligence company Anthropic will pay thousands of authors about $3,000 per book after using pirated copies of their works to train its Claude chatbot.

District Judge Araceli Martínez-Olguín said in a Monday ruling that the class-action settlement provides “meaningful relief” to affected authors and publishers.

About 91% of the more than 482,000 books covered by the ruling have been claimed by authors or publishers who are now due payment.

Plaintiff attorney Justin Nelson said in a statement that the settlement was “the largest known copyright recovery in history. We look forward to making distributions to the Class as promptly as possible.”

U.S. District Judge William Alsup issued the preliminary approval in San Francisco federal court last September and has since retired. Alsup had dealt the case a mixed ruling last summer, finding that training AI chatbots on copyrighted books wasn’t illegal but that Anthropic wrongfully acquired millions of books through pirate websites.

Bestselling thriller novelist Andrea Bartz first brought the suit with two other authors in 2024.

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Big Corporations Get Rich From Their Secret Seed Patents — Taxpayers and Farmers Pay the Price

The U.S. is one of only a handful of countries that allows companies to hold patents on plant varieties.

As a result, a small number of corporations can — and do — suppress competition in the seed industry, stifle innovation and turn taxpayer subsidies intended for farmers into corporate profits.

The U.S. Department of Agriculture (USDA) has found that two companies control more than 70% of U.S. corn and soybean seed sales, and the top four cottonseed companies control nearly 94% of that market.

In a May court filing in a legal dispute between two U.S. seed companies, the U.S. Department of Justice (DOJ) said patents on seeds are obstructing competition and research in the agriculture industry.

As researchers who work on plant breeding and seed policy, we have seen how that plays out.

When huge companies assert their patents, smaller businesses and public plant breeders, who often lack the legal resources to fight back, are frequently dissuaded from conducting research and development that might actually not be illegal at all.

And a lack of competition allows dominant companies — not always based in the U.S. — to collect large sums of taxpayer money that Congress allocated in hopes it would help farmers, not shareholders’ and executives’ bottom lines.

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Kiwi Farms Challenges DMCA Subpoenas as Tools to Unmask Anonymous Speech

A new lawsuit filed in the Southern District of New York offers a clean example of something that keeps happening and keeps getting ignored: the Digital Millennium Copyright Act being used to censor speech and unmask anonymous speakers.

The case is Lolcow LLC v. Fong-Jones, filed on March 12, 2026, and it pits the operator of the web forum Kiwi Farms against Liz Fong-Jones, an activist and field Chief Technology Officer at SaaS observability platform Honeycomb, who has been filing DMCA subpoenas in an attempt to identify anonymous forum users.

The content Fong-Jones wants censored is a screenshot of a Fong-Jones Bluesky post and an edited version of a Fong-Jones headshot, both related to what Fong-Jones has previously described publicly as a “consent accident.”

Forum users posted and discussed those images. Fong-Jones responded by claiming copyright ownership and filing DMCA subpoenas to force the site to hand over the identities of the people who posted them.

The copyright claims seem thin. Kiwi Farms operator Joshua Moon argues that the screenshot is a derivative work over which Fong-Jones holds no copyright, and that the edited headshot represents a textbook case of fair use, given that the image has no commercial value and was modified specifically for purposes of criticism and commentary.

That argument carries weight. Courts have long recognized that transformative use of images for commentary or ridicule sits comfortably within fair use protections.

What makes this case useful as a case study is less the copyright question itself and more the mechanism being exploited. The DMCA subpoena process, codified in Section 512(h), allows copyright holders to obtain a judicial subpoena to unmask the identities of allegedly infringing anonymous internet users just by asking a court clerk to issue one and attaching a copy of the infringement notice.

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Supreme Court Limits ISPs’ Liability For Online Piracy

The Supreme Court on Tuesday sharply curtailed when internet service providers can be held liable for copyright infringement committed by their subscribers, handing a major victory to broadband companies and dealing a setback to Sony Music Entertainment and other major labels seeking to combat online piracy.

In a 7-2 decision (with Justices Sotomayor and Jackson concurring only in the judgment), the justices ruled that Cox Communications Inc. cannot be held liable for the actions of customers who illegally downloaded and shared songs using its network, even after the company received more than 163,000 infringement notices from copyright holders. The ruling reverses a $1 billion jury verdict against the Atlanta-based cable and internet giant and clarifies long-standing uncertainties about secondary liability under U.S. copyright law.

The case stemmed from a 2018 lawsuit in which the labels accused Cox of willful contributory and vicarious infringement for failing to terminate repeat offenders. A federal jury in Virginia sided with the labels on both theories and awarded $1 billion in statutory damages. The Fourth Circuit upheld the contributory-liability finding but tossed the vicarious-liability verdict, leading to the Supreme Court appeal on the contributory issue alone.

Writing for the majority, Justice Clarence Thomas said a service provider is liable for a user’s infringement only if it intended its service to be used for that purpose. “The provider of a service is contributorily liable for a user’s infringement only if it intended that the provided service be used for infringement, which can be shown only if the party induced the infringement or the provided service is tailored to that infringement,” he wrote.

Such intent exists only when the provider actively induces infringement – such as by marketing a product as a tool for piracy – or offers a service that is “not capable of ‘substantial’ or ‘commercially significant’ noninfringing uses,” the opinion stated, citing the court’s landmark 1984 decision in Sony Corp. of America v. Universal City Studios Inc. and the 2005 ruling in Metro-Goldwyn-Mayer Studios Inc. v. Grokster Ltd. 

Mere knowledge that a service will be used to infringe is insufficient to establish the required intent to infringe,” Thomas emphasized, rejecting the broader “material contribution” standard applied by the U.S. Court of Appeals for the Fourth Circuit.

The decision rejects the Fourth Circuit’s holding that Cox could be liable simply by continuing to provide internet service to subscribers whose accounts were linked to repeated violations. “The Fourth Circuit’s holding went beyond the two forms of liability recognized in Grokster and Sony,” the opinion states.

Cox, which serves about six million subscribers, had argued it took reasonable steps to address piracy, including sending warnings, suspending service and terminating accounts after multiple notices. The company contractually prohibits subscribers from using its network for infringing activity. Sony Music Entertainment and other major labels countered that Cox’s efforts were insufficient.

Tuesday’s ruling is expected to have ripple effects across the telecom and entertainment industries – with industry executives long warning that expansive secondary-liability rules could force providers to monitor and police all user activity, raising costs and privacy concerns. Copyright owners have argued that without stronger accountability for intermediaries, online piracy remains rampant.

For Cox, the ruling caps years of litigation. The company has said it will continue to cooperate with copyright holders through the Digital Millennium Copyright Act’s notice-and-takedown process, though the court noted that the statute creates defenses rather than new causes of action.

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Bayer’s Monsanto sues mRNA COVID-19 vaccine makers

Bayer’s agrochemicals unit Monsanto has filed lawsuits in the US against the manufacturers of mRNA-based COVID-19 vaccines, claiming that they used its patent-protected technology in their products.

One lawsuit – filed in a federal court in Delaware – asserts that Pfizer/BioNTech’s Comirnaty and Moderna’s Spikevax vaccines, which generated tens of billions of dollars in revenues during the pandemic, used technology developed by Monsanto in the 1980s designed to eliminate ‘problem’ coding sequences in the building blocks of cells “to improve mRNA stability and the amount or quality of protein produced” in crops.

The technology was awarded a US patent in 2010 (No. 7,741,118) and is not due to expire until June 2027. According to the suit, Pfizer/BioNTech and Moderna used it to stabilise their mRNA vaccines.

“To develop effective mRNA medicines, defendants needed to stabilise the mRNA molecule and optimise its protein expression,” it claims, adding that they “optimised and manufactured their infringing mRNA vaccine products starting with a DNA template” and using Monsanto’s patented process.

Meanwhile, Reuters has also reported that Bayer independently filed a similar lawsuit against Johnson & Johnson in a New Jersey federal court, contending that a DNA-based process the company used in manufacturing its adenovirus vector-based COVID-19 vaccine also infringes the patent.

The shot – known as the Janssen vaccine – won emergency authorisations in the US and other markets and made blockbuster sales in the pandemic before its use diminished due to concerns about rare clotting side effects. It was withdrawn from sale in the US in 2023.

While sales are well down on their peak, Comirnaty brought in worldwide revenues of more than $3.3 billion for Pfizer and BioNTech last year, with Moderna earning $3.2 billion from Spikevax.

Bayer has said it does not intend to do anything that would restrict the commercial use of the COVID-19 vaccines – although, that is already being achieved due to changing immunisation policies in the US under the Trump administration – but is seeking damages “in an amount adequate to compensate” for the infringement of its intellectual property and royalties on sales.

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