Tag: music

A MASSIVE 97% of Listeners Fooled: Can YOU Tell If This Hit Song Is Human… or AI?

In an era where the boundaries between the synthetic and the sentient blur with alarming rapidity, a sobering revelation has emerged from the sonic realm: humanity’s capacity to discern the hand of the artist from the algorithm has all but evaporated. 

A recent survey commissioned by the French streaming platform Deezer, polling 9,000 individuals across eight nations, laid bare this disquieting truth. 

Respondents were tasked with listening to two clips of music wholly conjured by artificial intelligence and one crafted by human hands; astonishingly, 97 percent failed to differentiate between them. 

Deezer’s chief executive, Alexis Lanternier, observed, “The survey results clearly show that people care about music and want to know if they’re listening to AI or human made tracks or not.” 

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ChatGPT’s Use Of Song Lyrics Violates Copyright, Munich Court Finds

  • Judges found GEMA’s claims valid, ordering OpenAI to cease reproduction and provide damages and disclosure.
  • The court said GPT-4 and GPT-4o “memorized” lyrics, amounting to reproduction under EU copyright rules.
  • The decision, not yet final, could set a major European precedent on AI training data.

Germany’s national music rights organization secured a partial but decisive win against OpenAI after a Munich court ruled that ChatGPT’s underlying models unlawfully reproduced copyrighted German song lyrics.

The ruling orders OpenAI to cease reproduction, disclose relevant training details, and compensate rights holders.

It is not yet final, and OpenAI may appeal.

If upheld, the decision could reshape how AI companies source and license creative material in Europe, as regulators weigh broader obligations for model transparency and training-data provenance.

The case marks the first time a European court has found that a large language model violated copyright by memorizing protected works.

In its decision, the 42nd Civil Chamber of the Munich I Regional Court said that GPT-4 and GPT-4o contained “reproducible” lyrics from nine well-known songs, including Kristina Bach’s “Atemlos” and Rolf Zuckowski’s “Wie schön, dass du geboren bist.”

The court held that such memorization constitutes a “fixation” of the original works in the model’s parameters, satisfying the legal definition of reproduction under Article 2 of the EU InfoSoc Directive and Germany’s Copyright Act.

“At least in individual cases, when prompted accordingly, the model produces an output whose content is at least partially identical to content from the earlier training dataset,” a translated copy of the written judgement provided by the Munich court to Decrypt reads.

The model “generates a sequence of tokens that appears statistically plausible because, for example, it was contained in the training process in a particularly stable or frequently recurring form,” the court wrote, adding that because this “token sequence appeared on a large number of publicly accessible websites“ it meant that it was “included in the training dataset more than once.”

In the pleadings, GEMA argued that the model’s output lyrics were almost verbatim when prompted, proving that OpenAI’s systems had retained and reproduced the works.

OpenAI countered that its models do not store training data directly and that any output results from user prompts, not from deliberate copying.

The company also invoked text-and-data-mining exceptions, which allow temporary reproductions for analytical use.

“We disagree with the ruling and are considering next steps,” a spokesperson for OpenAI told Decrypt. “The decision is for a limited set of lyrics and does not impact the millions of people, businesses, and developers in Germany that use our technology every day.” 

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Billboard Country Chart Topper is Completely AI Generated for the First Time

An AI-generated country song has claimed the top spot on Billboard’s Country Digital Song Sales chart.

“Walk My Walk,” by Breaking Rust, rocketed to No. 1 last week, becoming the first fully AI-produced track to achieve such a feat in the country genre.

According to Billboard, Breaking Rust is an artificial intelligence creation that burst onto the scene via Instagram in mid-October, complete with an AI-generated cowboy avatar and folksy video clips.

The band’s AI slop, including the chart-topper, features bland, interchangeable lyrics that critics say scream “machine-made” hollow verses about walking life’s path without a shred of authentic twang or soul.

Breaking Rust debuted at No. 9 on Billboard’s Emerging Artists chart and racked up 1.6 million official U.S. streams. Songwriting credits go to Aubierre Rivaldo Taylor, but it is actually a faceless algorithm behind it all.

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Police raid nightclub in Ukraine over Russian song

A nightclub in the Ukrainian port city of Odessa was raided by police over the weekend after reports that a Russian-language song was played and that many of the guests were singing along, according to local media.

Since the 2014 Western-backed coup in Kiev, Ukraine has passed several laws restricting the use of Russian in public, revoking its official status, while politicians and activists have campaigned to completely phase it out.

A video of the performance – published by Strana.ua along with photos showing police inside the Palladium nightclub – shows a DJ playing the Russian-language track ‘Glamour’ by Belarusian rappers nkeeei, uniqe, ARTEM SHILOVETS, and Wipo in front of hundreds of guests. The song reportedly prompted the police raid.

Odessa Regional Governor Oleg Kiper denounced the incident, adding that the relevant departments of the Regional Military Administration were instructed to investigate and provide a legal assessment of the nightclub’s actions.

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Zohran Mamdani Brandished Handgun in Music Video—Then Called To Ban Them

As the rapper formerly known as Young Cardamom, Zohran Mamdani donned fatigues and brandished a handgun in a music video for a song glorifying militant violence. As a politician, the socialist has called for a ban on “all guns” to remedy the “scourge of gun violence.”

The video for the 2016 song “Wabula Naawe” is “set in the Luwero Triangle in 1981 during the days leading up to the Ugandan Bush War,” our Jon Levine reports. It “opens with a spray of gunfire” before depicting “armed militants shooting firearms from the back of a truck—to the words ‘let’s get together and settle this thing once and forever.’ It later portrays a man being shot in the head at point-blank range as Mamdani raps lyrics like, ‘I’ll finish you like food on a plate,’ ‘You are about to run like a chicken,’ and, ‘You’ll pray for death.’”

“Mamdani has taken a more critical stance on firearms since entering politics,” writes Levine. As a state assemblyman, he called to “ban all guns” and voted for a bill placing restrictions on firearms marketing. He has since pledged to spearhead a “nationwide ban on assault rifles.”

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Conservatives, NDP want to know if Liberals ‘lied’ about Irish bands entry ban

The immigration minister faces growing opposition pressure to clarify if Irish hip-hop group Kneecap is banned from Canada, following a since-dismissed UK terrorism charge.

NDP MP Jenny Kwan, the party’s immigration critic, urged Immigration Minister Lena Diab on Thursday to confirm whether the group is banned, after officials repeatedly refused to answer for almost two weeks.

This follows Conservative demands for a clear explanation from Liberal MP Vince Gasparro, the parliamentary secretary for combating crime, who made the announcement but has not yet clarified his reasoning.

On September 19, Gasparro denied Kneecap member Liam Óg Ó hAnnaidh entry over legal troubles abroad. It’s unclear if the ban still stands.

The band states it has not received official notice of an entry ban or visa denial, according to media reports.

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Bodies found in Mexico may be missing Colombian musicians

Mexican authorities have recovered two bodies that match the description of the Colombian musicians reported missing a week ago in the country, the prosecutor’s office in the state of Mexico said on Monday.

Forensic tests were underway to obtain official confirmation of the identities of the deceased, the prosecutor’s office said.

Earlier on Monday, Mexican President Claudia Sheinbaum said that local authorities were investigating the whereabouts of reggaeton artist Bayron Sanchez, known as B-King, and Jorge Herrera, a DJ who performed under the name Regio Clown, after Colombian President Gustavo Petro requested Sheinbaum’s aid in locating them.

In a social media post on Monday afternoon, Petro appeared to confirm the musicians’ deaths by sharing a news article saying their bodies were found, blaming an “international mafia” that he said had been strengthened by the “war on drugs.”

“More young people killed by an anti-drug policy that is not an anti-drug policy,” Petro wrote.

On Sunday, the prosecutor’s office in Mexico City, which borders the state of Mexico, said the two artists were last seen on September 16 in Polanco, a high-end neighborhood in the Mexican capital.

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Mamdani for years used July 4 to promote self-styled ‘Taliban’ rapper who ‘worshipped’ 9/11 hijacker

New York City mayoral hopeful Zohran Mamdani for years marked the Fourth of July by sharing a photo of a rap group that is infamous for its glorification of the Taliban and Al-Qaeda and for its praise for one of the 9/11 hijackers.

Mamdani wished his social media followers a “Happy 4th” on Independence Day in 2021, 2023, and 2024 — less than one year before the failed rapper and socialist activist became the Democratic Party’s nominee — in tweets accompanied by a picture from a music video of the two lead singers of the controversial rap group called The Diplomats (also known as Dipset), who were famous — and infamous — for some of their pro-terrorism-tinged lyrics.

Mamdani, a longtime rap aficionado who took a largely unsuccessful stab at being a rapper himself, has tweeted “Happy 4th” exactly four times — sharing the picture of the pro-terrorist Dipset rap group on the Fourth of July in 2021, 2023, and 2024 — and then, only after becoming the Democratic nominee, sent out a much more anodyne, standard-fare, politician-style tweet in 2025 wishing his followers “Happy 4th” featuring pictures from a Democratic Club BBQ held in Queens.

Rappers “worship” ringleader of 9/11 hijackings that murdered almost 3,000 people

The Harlem-based rap group’s own lyrics from the 2003 album that Mamdani repeatedly promoted describe the hip-hop collective as the “Dipset Taliban”, “Harlem’s own Taliban”, and “Harlem’s Al-Qaeda” and described the group’s songs as “9/11 music” — while one of the group’s main singers compared himself favorably to Al-Qaeda founder Osama bin Laden and declared in a song that “I worship the prophet” Mohamed Atta, the ringleader of the 19 terrorist hijackers on 9/11 and who piloted American Airlines Flight 11 crashing into the North Tower of the World Trade Center.

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Musicians Vs. Machines: First Ever Record Contract to AI Music Creator Prompts Panic, Protest

When pop groups and rock bands practice or perform, they rely on their guitars, keyboards and drumsticks to make music. Oliver McCann, a British AI music creator who goes by the stage name imoliver, fires up his chatbot.

McCann’s songs span a range of genres, from indie-pop to electro-soul to country-rap. There’s just one crucial difference between McCann and traditional musicians.

“I have no musical talent at all,” he said. “I can’t sing, I can’t play instruments, and I have no musical background at all.”

McCann, 37, who has a background as a visual designer, started experimenting with AI to see if it could boost his creativity and “bring some of my lyrics to life.” Last month, he signed with independent record label Hallwood Media after one of his tracks racked up 3 million streams, in what’s billed as the first time a music label has inked a contract with an AI music creator.

McCann is an example of how ChatGPT-style AI song generation tools like Suno and Udio have spawned a wave of synthetic music. A movement most notably highlighted by a fictitious group, Velvet Sundown, that went viral even though all its songs, lyrics and album art were created by AI.

It fueled debate about AI’s role in music while raising fears about “AI slop” — automatically generated low quality mass produced content. It also cast a spotlight on AI song generators that are democratizing song making but threaten to disrupt the music industry.

Experts say generative AI is set to transform the music world. However, there are scant details, so far, on how it’s impacting the $29.6 billion global recorded music market, which includes about $20 billion from streaming.

The most reliable figures come from music streaming service Deezer, which estimates that 18% of songs uploaded to its platform every day are purely AI generated, though they only account for a tiny amount of total streams, hinting that few people are actually listening. Other, bigger streaming platforms like Spotify haven’t released any figures on AI music.

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“Whites Can’t Invent Anything!” – Joy Reid Says White People Stole Ideas and Inventions From Blacks

Former MSNBC host Joy Reid went on another hate-filled rant and trashed white people during her chat with far-left ‘journalist’ Wajahat Ali.

Reid was fired as the host of MSNBC’s “The ReidOut” in February.

Joy Reid said white people can’t invent anything so they had to steal ideas from blacks.

This is just laughable.

“We black folk gave y’all country music, hip-hop, R&B, jazz, rock and roll. They couldn’t even invent that,” Joy Reid said.

“But they have to call a white man “The King” because they couldn’t make rock and roll,” Joy Reid said attacking Elvis.

“So they have to stamp “The King” on a man whose main song was stolen from an overweight black woman,” she said of Elvis’s hit “Hound Dog.”

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