Police Say Texas A&M Student Who Found Racist Notes On His Car Put Them There

A student at Texas A&M University who reported that racist notes had been left on his car windshield is responsible for the act, police say. 

KBTX-TV reported that in June, Texas A&M senior Isaih Martin alerted the university police when he allegedly discovered handwritten messages reading “All lives matter” and “You don’t belong here,” along with a third listing the N-word, on his vehicle, which he had parked at an apartment complex on the school’s property.

Martin posted a photo of the notes to a Twitter account that has since been made private. According to KBTX, the university responded to his post, asking him to report the incident. 

“For them to tell me I don’t belong here, when I have earned my spot like everybody else here, and am working to get a degree like everyone else is, that was just kind of hurtful because if anything I deserve to be here just as much as anybody else,” Martin commented at the time. 

“Acts of racism are irreconcilable with the values we uphold here at Texas A&M University. Those who promote hate, discrimination and disrespect are not welcomed at this institution. We are tired of bigoted members of our community marring the experiences of students of color,” Texas A&M President Michael K. Young said in a statement following the incident. 

He also announced that the university would offer a $1,200 reward to anyone who could provide information to identify the person responsible for the act. 

“Let me be clear: Incidents like the one yesterday have no place at Texas A&M. Anyone who believes that hate is acceptable is not wanted at Texas A&M.” 

Texas A&M police reported Thursday that, based on surveillance video footage, Martin likely placed the notes on his car himself. Footage taken from nearby cameras shows that passers-by may have come close to Martin’s car, but were only near the vehicle for a few seconds. 

The police report, obtained by KBTX, reads that Martin was seen moving around his vehicle, with two different “white specks” held in the area of his chest. The footage also showed him “stepping back and onto the sidewalk in front of his vehicle, most likely taking photos and videos. He then approaches his vehicle again on the passenger side and remains there for a few moments. He is then seen walking around the front of his vehicle. Martin then enters the driver’s door and drives away a few moments later. The total time spent at his vehicle is 1 minute, 15 seconds.

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Museum Curator Resigns After He Is Accused of Racism for Saying He Would Still Collect Art From White Men

Until last week, Gary Garrels was senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). He resigned his position after museum employees circulated a petition that accused him of racism and demanded his immediate ouster.

“Gary’s removal from SFMOMA is non-negotiable,” read the petition. “Considering his lengthy tenure at this institution, we ask just how long have his toxic white supremacist beliefs regarding race and equity directed his position curating the content of the museum?”

This accusation—that Garrels’ choices as an art curator are guided by white supremacist beliefs—is a very serious one. Unsurprisingly, it does not stand up to even minimal scrutiny.

The petitioners cite few examples of anything even approaching bad behavior from Garrels. Their sole complaint is that he allegedly concluded a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.”

Garrels has apparently articulated this sentiment on more than one occasion. According to artnet.com, he said that it would be impossible to completely shun white artists, because this would constitute “reverse discrimination.” That’s the sum total of his alleged crimes. He made a perfectly benign, wholly inoffensive, obviously true statement that at least some of the museum’s featured artists would continue to be white. The petition lists no other specific grievances.

You might think that one of the most prominent art curators in the country—with 20 years of experience at SFMOMA—would be able to weather such a pathetically weak accusation of racism. But in the current cultural moment, it appears not. Garrels promptly resigned.

In a statement announcing his decision to step down, Garrels apologized for the harm his words caused, only slightly disputing the absurd charge against him. ” I do not believe I have ever said that it is important to collect the art of white men,” he said, according to artnet.com. “I have said that it is important that we do not exclude consideration of the art of white men.”

Suffice it to say that this is not the language of a white supremacist. Those who say otherwise—that Garrels is guilty of racism—have stripped the word of its potency. They have shown once again that the signatories of the recent Harper‘s letter were entirely correct that the progressive drive to purge lofty institutions of racism and sexism has frequently gone astray, in a manner that threatens both free inquiry and common decency. The 1793 Project continues.