Revealed: Pro-Kamala Social-Media Millions That Couldn’t Sync ‘Brat’ With ‘Democrat’

The abrupt withdrawal last year of President Joe Biden as the Democratic presidential nominee, followed rapidly by his replacement with Vice President Kamala Harris, irked many voters left out by the process. Yet social media seemed to ooze with enthusiasm and Gen Z-friendly hipster appeal.

Influencers flooded the web with neon-matcha green pro-Harris videos synced to beats from singer Charli XCX’s album “Brat” released last year. The poppy rave videos, gushed journalists, showed that Harris embodied the confidently independent “brat” vibe conveyed by the music. Social media pages bubbled with memes celebrating Harris as the voice of queer and black youth, in contrast with the Republican agenda of white supremacy. Digital creator Amelia Montooth, in one viral TikTok video, kissed a woman and tried searching for pornography, actions her sketch suggested would be banned if Harris lost the election.

Harris, a career politician favored by the Democratic Party’s establishment, never quite fit the bill as an icon of activist movements. But the sudden influencer buzz seemed to transform the stodgy former prosecutor into an icon of the cultural zeitgeist. 

As it turns out, the tidal wave of enthusiasm was not entirely genuine. Much of the content, including Montooth’s videos, was quietly funded by an elusive group of Democratic billionaires and major donors in an arrangement designed to conceal the payments from voters. 

RealClearInvestigations obtained internal documents and WhatsApp messages from Democratic strategists behind the influencer campaign. Way to Win, one of the major donor groups behind the effort, spent more than $9.1 million on social media influencers during the 2024 presidential election – payments revealed here for the first time. The amount was touted in a document circulated after the election detailing the organization’s accomplishments. 

The effort supported over 550 content creators who published 6,644 posts across platforms, TikTok, Instagram, YouTube, Twitch, and X. Way to Win coached creators on phrases, issue areas, and key themes to “disseminate pro-Kamala content throughout the cycle,” a post-election memo from the group noted.

The look behind the curtain reveals that at least some of the image-making around the Harris candidacy was carefully orchestrated by the same types of covert social media marketing often used by corporate brands and special interest groups. Such campaigns provide the illusion of organic support through the authentic appeal of trusted social media voices.

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Charity Involved With Adolescence Suggested Boys Engaging in “Locker Room Banter” Can Lead to “Genocide”

The charity which met with Prime Minister Keir Starmer over a plan to screen the Netflix show Adolescence in UK schools previously published material suggesting that boys engaging in “locker room banter,” advocating for “strict gender roles” and “bragging” can ultimately lead to genocide.

Yes, really.

Adolescence is a 4 part drama based around a 13-year-old white boy who murders a girl after being radicalized by incel culture and ‘Manosphere’ social media influencers like Andrew Tate.

Despite the fact that the show is a complete work of fiction, it has somehow become a rallying cry for new policies and laws which will ultimately lead to more online censorship.

The child character in the show is a white boy from a married home, despite producers admitting the plot was primarily based on the murder of a 15-year-old black girl by a black Ugandan immigrant.

Tender has been instrumental in working with the producers of the show to bring it to a wider audience, leading to a plan to broadcast the series in all UK schools which has been backed by the government.

Representatives from Tender in addition to Adolescence co-creator Jack Thorne and producers Emma Feller and Jo Johnson met with the UK Prime Minister on Monday.

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Germany’s Stern magazine calls for conscription of young people to take up arms ‘to defend diversity’ in pro-war propaganda piece

Stern Magazine is calling for mass conscription of German youths to join the army, including to ensure the defense of “freedom and diversity.” The reaction to the article has been harsh to say the least, with hundreds of negative comments directed at Stern.

The article, entitled “Others no longer defend us? Then we must do it ourselves!” claims that “the USA no longer wants to protect Germany. This brings a bitter realization: Our unbearable complacency must end.”

The solution? Start drafting German youth to fight the future wars. The author, Tilman Gerwien, a German male noticeable well past the age of someone who might typically be drafted, says that the days of a “dollhouse-like Bullerbü” are over and “we have to grow up.” He details the left’s traditional stance against conscription, which saw German youths demanding American troops leave Germany, was “not only a matter of conscience, but also a lifestyle.” He noted that at demonstrations against NATO, “people hopped around in peace-loving spirits, chanting ‘Out of NATO, into fun!’” All of this has to end, according to Gerwien, who does not seem particularly like the type of person to rush into battle himself.

There is no way to know if Gerwien was ever a part of these previous protests or ever shared those sentiments at one time, but it is notable that he is now old enough to not have to face the draft himself. Lucky him.

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German Socialists Want to Use Citizen’s Own Money to Propagandize Them

The German socialists (SPD) are desperately seeking new ways to improve their standing after the electorate roundly rejected their political agenda—especially relating to mass migration—in the February elections.

An outright ban on the Alternative für Deutschland (AfD) opposition is, of course, one option. Another is funnelling taxpayer cash into the coffers of media organisations that can be trusted to put a positive spin on the SPD’s flaws.

Such considerations appear now to have made their way into ongoing coalition talks, in which Friedrich Merz’s CDU has already proved happy to ‘cede ground’ further to the left.

Die Stimme Berlins reports that the SPD is calling for a new “media innovation fund” which would provide state support to what the paper described as “reliable” and “trustworthy” publications. That is, reliable and trustworthy according to the state.

AfD Bundestag member Götz Frömming said this, in effect, would mean papers that are “loyal to the [governing] party line,” while journalist Henning Rosenbusch added that ‘reliable’ translated in this case to “preemptively obedient government propaganda.”

Reports also note that the fund would be intended to support these selected media companies while they improve their digital arms—which, of course, is where influencing can today take place most effectively—as well as to combat ‘disinformation.’

This closely follows a slew of criticism surrounding accusations that the main U.S. aid agency’s (USAID) funds were used to deliver particular political outcomes in Europe, as well as calls by leftist Brussels officials for taxpayers to fund, effectively, pro-European Union propaganda.

Apollo News claims that the SPD demand is currently being met with “displeasure” from CDU negotiators. But with Merz, the chancellor-in-waiting, hoping to forge a coalition by April 20th, it is not at all difficult to imagine the ‘conservatives’ backing down.

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Turn Off That (Government) Radio!

On March 14, US president Donald Trump signed an executive order reducing “statutory functions of unnecessary governmental entities to what is required by law.”

Among other institutions, the order targets the United States Agency for Global Media and the broadcast media it operates and funds: Voice of America, Radio and Television Martí, Radio Free Europe/Radio Liberty, Radio Free Asia, and the Middle East Broadcasting Networks.

At less than one 6,750th of last year’s $6.75 trillion federal spending, USAGM may seem like small potatoes, but as the late US Senator Everett Dirksen (R-IL) reportedly said, “a billion here, a billion there, pretty soon you’re talking about real money.” And good reasons for wadding up the agency and tossing it in the dustbin of history go far beyond the financial.

What are the agency and its outlets, really? In a word, propaganda.

Their entire purpose is and always has been to regale the world –especially that portion of its population ruled by non-US-approved governments –with the US government’s take on every event and every issue.

While that approach never seemed very much like what America advertises itself as, it may have made at least a little sense during the Cold War when Radio Moscow and China Radio International likewise spread their regimes’ messages via the airwaves.

Now, though, in addition to not reflecting supposed American values (you know, free speech and free press instead of government propaganda), those state-operated broadcast media are beyond redundant.

These days, US “mainstream private sector” media – print, radio, television, and Internet –go toe-to-toe with competitors (state-operated and “private sector” alike) worldwide, reaching far more people than their USAGM predecessors.

And, for the most part and in most respects,  those “private sector” platforms have long since brought their editorial lines into compliance with the US regime’s every whim.

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The bulk of credible science finds vaccines ‘can and do’ cause autism

It’s amazing how many media figures remain so uninformed on the proven links between vaccines and autism. Without knowing the subject thoroughly, they keep falsely claiming the links have been “debunked.”

Quite the opposite.

I understand, because I was surprised, too, at what I learned when I was first assigned to cover the subject of vaccine safety at CBS News in 2001. At the time, I knew nothing about how vaccines work, scientific studies linking them to autism and many side other effects, or the medical and industry complex set up to defend them at any cost.

As an investigative reporter looking into this topic independently for more than two decades, I have helped expose a lot of what many are desperate to cover up. Some of my work on the topic has received journalism awards, and it has been cited favorably in the New England Journal of Medicine.

The news that’s been revealed in this time period, including compelling studies, testimony, court cases, and other evidence, is now easily accessible to any reporter who knows better than to simply google and get the industry and medical establishment approved narratives; or rely upon information from the vast network of groups, organizations, and fake “fact checkers,” ultimately set up by industry to spin us all.

With Donald Trump about to enter a second term in office, appointing and relying upon figures in public health who are familiar with the facts on these controversies (and willing to act upon them), we are already being exposed to incessant and increasingly desperate propaganda.

The propagandists have important connections and plenty of money to spend to wield influence, as they long have, with federal agencies, members of Congress, and in media. They support fake “fact check” groups like Health Feedback and Science Feedback, dominate social media narratives, provide “journalism resources” that give false information, control medical information distributed by our once-esteemed public health agencies, influence medical associations, and back nonprofits that are designed to sound independent but put out industry misinformation.

They have proven they will go to any lengths to protect their billion dollar profits and to try to stop any disruption of the corrupt medical establishment built to support them.

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How Barack Obama Built An Omnipotent Thought-Control Machine… And How It Was Destroyed

Rapid Onset Political Enlightenment

If anyone in the future cares enough to write an authentic history of the 2024 presidential campaign, they might begin by noting that American politics exists downstream of American culture, which is a deep and broad river. Like any river, American culture follows a particular path, which has been reconfigured at key moments by new technologies. In turn, these technologies, which redefine both space and time—canals and lakes, the postal system, the telegraph, railroads, radio and later television, the internet, and most recently the networking of billions of people in real time on social media platforms—set the rules by which stories are communicated, audiences are configured, and individuals define themselves.

Something big changed sometime after the year 2000 in the way we communicated with each other, and the means by which we absorbed new information and formed a working picture of the world around us. What changed can be understood as the effect of the ongoing transition from the world of 20th-century media to our current digital landscape. This once-every-five-centuries revolution would have large effects, ones we have only just begun to assimilate, and which have largely rendered the assumptions and accompanying social forms of the past century obsolete, even as tens of millions of people, including many who imagine themselves to reside near the top of the country’s social and intellectual pyramids, continue to imagine themselves to be living in one version or another of the long 20th century that began with the advent of a different set of mass communications technologies, which included the telegraph, radio, and film.

The time was ripe, in other words, for a cultural revolution—which would, according to the established patterns of American history, in turn generate a political one.

I first became interested in the role of digital technology in reshaping American politics a decade ago, when I reported on the selling of Barack Obama’s Iran deal for The New York Times Magazine. By the time I became interested in the subject, the outcome of Obama’s campaign to sell the deal, which had become the policy cornerstone of his second term in office, was a fait accompli. The Deal seemed odd to me, not only because American Jews were historically a key player in the Democratic Party—providing outsized numbers of voters, party organizers and publicists, in addition to huge tranches of funding for its campaigns—but because the Deal seemed to actively undermine the core assumptions of U.S. security architecture in the Middle East, whose goals were to ensure the steady flow of Middle Eastern oil to global markets while keeping U.S. troops out of the region. A Middle East in which the U.S. actively “balanced” a revisionist anti-American power like Iran against traditional U.S. allies like Saudi Arabia and Israel seemed guaranteed to become a more volatile region that would require exactly the kinds of active U.S. military intervention that Obama claimed to want to avoid. Nor did turning over major shipping lanes to Iran and its network of regional terror armies seem like a recipe for the steady flow of oil to global markets that in turn helped ensure the ability of U.S. trading partners in Europe and Asia to continue to buy U.S.-made goods. Seen through the lens of conventional American geopolitics, the Iran deal made little sense.

In the course of my reporting, though, I began to see Obama’s plans for the Middle East not simply as a geopolitical maneuver, but as a device to remake the Democratic Party—which it would do in part by rewiring the machinery that produced what a brilliant young political theorist named Walter Lippmann once identified, in his 1922 book, as “public opinion.”

Lippmann was a progressive Harvard-educated technocrat who believed in engineering society from the top down, and who understood the role of elites in engineering social change to be both positive and inevitable. It was Lippman, not Noam Chomsky, who coined the phrase “manufacturing consent,” and in doing so created the framework in which the American governing class would understand both its larger social role and the particular tools at its disposal. “We are told about the world before we see it,” Lippmann wrote. “We imagine most things before we experience them. And those preconceptions, unless education has made us acutely aware, govern deeply the whole process of perception.” Or as he put it even more succinctly: “The way in which the world is imagined determines at any particular moment what men will do.”

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Trump Moves to Shut Down Voice of America, State Media Outlets

President Donald Trump has issued an executive order that will dismantle Voice of America, Radio Free Europe, Radio Free Asia, and other US state media outlets. A press release from the White House said that the outlets have adopted an increasingly progressive agenda. 

On Friday, the President signed an executive order instructing “the non-statutory components and functions of the following governmental entities shall be eliminated to the maximum extent consistent with applicable law.” It continues, “And such entities shall reduce the performance of their statutory functions and associated personnel to the minimum presence and function required by law.”

The United States Agency for Global Media and the Woodrow Wilson International Center for Scholars were among the seven agencies facing closure. The US Agency for Global Media runs Voice of America, Radio Free Europe, and Radio Free Asia. 

In a press release, the White House quoted long-time Voice of America staffer Dan Robinson who claimed the outlet had adopted a progressive bias. “I have monitored the agency’s bureaucracy along with many of its reporters and concluded that it has essentially become a hubris-filled rogue operation often reflecting a leftist bias aligned with partisan national media,” he said. “It has sought to avoid accountability for violations of journalistic standards and mismanagement.”

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New BBC Documentary ‘The Road to 7th October’ Is an Utter Travesty

There has been a prolonged furore over the BBC’s craven decision to ban a documentary on life in Gaza under Israel’s bombs after it incensed Israel and its lobbyists by, uniquely, humanising the enclave’s children.

The English-speaking child narrator, 13-year-old Abdullah, who became the all-too-visible pretext for pulling the film Gaza: How to Survive a Warzone because his father is a technocrat in the enclave’s Hamas government, hit back last week.

He warned that the BBC had betrayed him and Gaza’s other children, and that the state broadcaster would be responsible were anything to happen to him.

His fears are well-founded, given that Israel has a long track record of executing those with the most tenuous of connections to Hamas – as well as the enclave’s children, often with small, armed drones that swarm through its airspace.

The noisy clamour over How to Survive a Warzone has dominated headlines, overshadowing another new BBC documentary on Gaza – this one a three-part, blockbuster series on the history of Israel and Palestine – that has received none of the controversy.

And for good reason.

Israel and the Palestinians: The Road to 7th October, whose final episode airs this Monday, is such a travesty, so discredited by the very historical events it promises to explain, that it earns a glowing, five-star review from the Guardian.

It “speaks to everyone that matters”, the liberal daily gushes. And that’s precisely the problem.

What we get, as a result, is the very worst in BBC establishment TV: talking heads reading from the same implausibly simplistic script, edited and curated to present western officials and their allies in the most sympathetic light possible.

Which is no mean feat, given the subject matter: nearly eight decades of Israel’s ethnic cleansing, dispossession, military occupation and siege of the Palestinian people, supported by the United States.

But this documentary series on the region’s history should be far more controversial than the film about Gaza’s children. Because this one breathes life back into a racist western narrative – one that made the genocide in Gaza possible, and justifies Israel’s return this month to using mass starvation as a weapon of war against the Palestinian people.

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Digital Deception: How Social Media Helps Corrupt Politicians Stay in Power

In today’s world, social media is everywhere. It’s how we connect, share, and get our news. But what if I told you it’s also one of the most powerful tools corrupt politicians use to stay in power? That’s right. Behind the memes, the viral videos, and the endless streams of posts, there’s a darker game being played. It’s a game of misinformation, fake support, and online manipulation. And it’s working better than ever.

Let’s break it down. How do they do it? And why should you care?


The Misinformation Machine

Misinformation is the fuel that keeps the engine running. Politicians, especially those in power, know that controlling the narrative is everything. Social media platforms like Facebook, Twitter, and Instagram are perfect for spreading half-truths and outright lies. Why? Because these platforms are designed to keep you scrolling. They reward sensationalism, not accuracy.

Here’s how it works: A politician or their team plants a story. Maybe it’s about a rival. Maybe it’s about a policy that sounds great but is actually terrible. The story gets picked up by bots—fake accounts programmed to share content. These bots make the story look popular, so real people start sharing it too. Before you know it, the story is everywhere. And once it’s out there, it’s hard to stop.

The goal? To confuse you. To make you doubt what’s real and what’s not. And when you’re confused, you’re easier to control.


Astroturfing: Fake Grassroots Support

Ever heard of astroturfing? It’s when politicians create the illusion of widespread public support for something. They make it look like regular people are rallying behind an idea, when in reality, it’s all staged.

Here’s an example: Let’s say a politician wants to pass a law that benefits big corporations. They know regular people won’t like it. So, they hire a PR firm to create fake social media accounts. These accounts post messages like, “This law will create jobs!” or “This is good for the economy!” They might even organize fake protests or rallies, complete with paid actors holding signs.

The result? It looks like there’s a groundswell of support. News outlets pick up the story, and suddenly, the law seems popular. But it’s all a lie. And social media makes it easy to pull off.

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