Reddit must share IP addresses of piracy-discussing users, film studios say

For the third time in less than a year, film studios with copyright infringement complaints against a cable Internet provider are trying to force Reddit to share information about users who have discussed piracy on the site.

In 2023, film companies lost two attempts to have Reddit unmask its users. In the first instance, US Magistrate Judge Laurel Beeler ruled in the US District Court for the Northern District of California that the First Amendment right to anonymous speech meant Reddit didn’t have to disclose the names, email addresses, and other account registration information for nine Reddit users. Film companies, including Bodyguard Productions and Millennium Media, had subpoenaed Reddit in relation to a copyright infringement lawsuit against Astound Broadband-owned RCN about subscribers allegedly pirating 34 movie titles, including Hellboy (2019), Rambo V: Last Blood, and Tesla.

In the second instance, the same companies sued Astound Broadband-owned ISP Grande, again for alleged copyright infringement occurring over the ISP’s network. The studios subpoenaed Reddit for user account information, including “IP address registration and logs from 1/1/2016 to present, name, email address, and other account registration information” for six Reddit users, per a July 2023 court filing.

In August, a federal court again quashed that subpoena, citing First Amendment rights. In her ruling, Beeler noted that while the First Amendment right to anonymous speech is not absolute, the film producers had already received the names of 118 Grande subscribers. She also said the film producers had failed to prove that “the identifying information is directly or materially relevant or unavailable from another source.”

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How John Deere Hijacked Copyright Law To Keep You From Tinkering With Your Tractor

Discussions about the repairability of high-tech devices tend to focus on mass-market products: smartphones, laptops, video game consoles, and other commonplace devices. Less apparent is the repairability of tractors, cultivators, combines, and other heavy agricultural equipment that are equally reliant on computers and software. As with smartphone or laptop repairs, farmers and right-to-repair advocates have long complained that agricultural equipment manufacturers have used software to lock owners out of their products. To combat such restrictions, farmers and white-hat hackers have joined in an unlikely alliance to “liberate the tractors.”

As with other types of hardware, such as smart cars, the “techiness” of heavy agricultural machinery has become an impediment to meaningful ownership. Now, companies such as John Deere have vertically integrated the entire ecosystem for equipment, requiring customers to purchase repair services exclusively from dealers and using software to prevent independent repairs. 

Whenever software has been used to prevent the owners of products from altering or repairing their property, groups of ideologically driven individuals have used their skills to circumvent such constraints. Agricultural equipment is no different, and hackers have taken it upon themselves to “jailbreak” or open up the closed software systems that prevent independent repairs. In the words of one such hacker, “We want farmers to be able to repair their stuff for when things go wrong, and now that means being able to repair or make decisions about the software in their tractors.”

Hackers have now developed tools that would give power back to the owners of farm equipment, allowing farmers unversed in handling software to circumvent manufacturers’ software locks and independently make repairs and service their equipment. There’s only one problem with this movement to liberate the tractors: It’s a violation of federal copyright law.

Under Section 1201 of the Digital Millennium Copyright Act (DMCA), any individual who produces or uses a tool designed to circumvent software intended to keep them out of a system faces five years in federal prison and a fine of up to $500,000. Those penalties double for each subsequent infraction. This means software developers who build tools to get around John Deere’s software blocks could receive a 10-year prison sentence and a $1 million fine for each time they distribute their tool. Although the Copyright Office has implemented a narrow exception to the law for certain circumstances, a farmer who purchases such a tool could also end up in federal prison. 

The Copyright Office technically has the ability to implement broad, permanent exclusions to Section 1201 but has so far refused to act absent expressed congressional authorization. Fortunately, there are some in Congress that recognize this issue and have proposed solutions.

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Disney Shamed into Retracting Phony ‘Steamboat Willie’ Copyright Claim After Film Enters Public Domain

The Disney Grooming Syndicate has been forced to back down from bullying a private citizen who legally used Steamboat Willie in a YouTube video.

YouTuber and voice actor Brock Baker published all eight minutes of Steamboat Willie on his popular YouTube channel (1.1 million subscribers). That alone would normally be considered a copyright violation. On top of that, Brock added his own audio to the classic cartoon that introduced Mickey and Minnie Mouse to the public in 1928.

But.

Steamboat Willie has been in the public domain since the beginning of the year, and Brock published his video a few days after that. Nevertheless, Disney still slapped him with two copyright claims. First, Disney filed a copyright claim on the cartoon itself. The result was that YouTube demonetized the video. After Disney backed off that, the Grooming Syndicate filed a second copyright claim for Steamboat Willie’s soundtrack — which is also in public domain. The whole thing is public domain. Nevertheless, Brock’s video got demonetized — until they earned enough negative media attention to reverse course.

In a way, you can see Disney’s point… The disgraced company is losing billions on its lousy streaming service and theatrical releases, so every dollar does count. But public domain is still public domain, and this bullying campaign is obviously meant to scare off anyone else who would dare do what Disney can no longer do: make money by entertaining the public.

This vile multinational corporation has enjoyed so much special treatment over the years with copyright protection and legislation, and it’s still harassing a private citizen on YouTube who is only guilty of having a few laughs about a cartoon that no longer enjoys copyright protection.

Overall, unless no one files for copyright protection, I’m opposed to the idea of public domain. As evil as Disney is, it is still in business, and its property should be protected for as long as it stands. That’s Good John’s thinking…

Bad John loves seeing Disney lose, fail, and drown in its own greed and perversions.

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Mickey Mouse Is Now In the Public Domain. Well, Sort Of.

The copyright on Mickey Mouse expires today, meaning The Walt Disney Company no longer has the exclusive rights to the character. Does this mean you can put Mickey in your own cartoon? Not exactly.

Under current law, works released between 1924 and 1978 are copyrighted for 95 years. As a result, the thousands of works copyrighted in 1928 enter the public domain today, meaning anyone can use or reprint them without permission. That includes books like D. H. Lawrence’s Lady Chatterley’s Lover and films like Charlie Chaplin’s The Circus. But the most high-profile addition is Steamboat Willie, the animated short that marked the debuts of both Mickey and his longtime paramour, Minnie.

The cartoon depicted Mickey Mouse working aboard a steamboat, making music, and vexing the boat’s captain, a large cat named Pete. The slapstick humor, anthropomorphized animals, and objects of later Disney works are present, although Mickey is much more mischievous—the antagonistic dynamic with a giant cat is more reminiscent of Tom & Jerry cartoons than the Mickey Mouse familiar to modern audiences.

The seven-minute film was revolutionary: It was the first cartoon to feature synchronized sound—rather than just a silent film with background music—and audiences loved it. Mickey Mouse spawned a franchise that over the following century would earn more than $80 billion and make Disney one of the most powerful media companies on the planet.

Losing out on its rodential cash cow would be a huge blow, and Disney jealously guarded its creation. When Steamboat Willie premiered in November 1928, U.S. law dictated that it would enter the public domain no later than 1984. But two different laws, one passed in 1976 and another in 1998, extended the maximum copyright term, each by twenty years. Each law passed after strenuous lobbying by Disney: The latter statute, the Copyright Term Extension Act, has been derisively referred to as the Mickey Mouse Protection Act.

Today’s expiration implies that Disney was either unable to secure another extension or unwilling to try. In recent years, Republican lawmakers have signaled their unwillingness to extend copyright law any further on Disney’s behalf. Sen. Josh Hawley (R–Mo.) even introduced the Copyright Clause Restoration Act of 2022, which would cap copyright terms at a maximum of 56 years—notably, the same term in effect when Walt Disney first released Steamboat Willie.

But this doesn’t mean that Mickey is completely free. The copyright that expires today only applies to Mickey Mouse as he first appeared: rat-like and mischievous, with pupil-less eyes and no gloves. All other interpretations, introduced later—including the magnanimous Mickey who greets visitors to Disney theme parks dressed in a bow tie and tails, with white gloves and human-like eyes and facial features—remain under lock and key.

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AI-generated art cannot be copyrighted, rules a US federal judge

United States District Court Judge Beryl A. Howell ruled on Friday that AI-generated artwork can’t be copyrighted, as noted by The Hollywood Reporter. She was presiding over a lawsuit against the US Copyright Office after it refused a copyright to Stephen Thaler for an AI-generated image made with the Creativity Machine algorithm he’d created.

Thaler had tried multiple times to copyright the image “as a work-for-hire to the owner of the Creativity Machine,” which would have listed the author as the creator of the work and Thaler as the artwork’s owner, but he was repeatedly rejected.

After the Office’s final rejection last year, Thaler sued the Office, claiming its denial was “arbitrary, capricious … and not in accordance with the law,” but Judge Howell didn’t see it that way. In her decision, Judge Howell wrote that copyright has never been granted to work that was “absent any guiding human hand,” adding that “human authorship is a bedrock requirement of copyright.”

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Knowing Or Distributing This Illegal Prime Number Could Get You Arrested

What if I told you that there exist few numbers that will get you arrested in America if your write them down or publish them on some website? Well, this isn’t some kind of April Fools’ Day joke and even some casual affair with these number could get you in trouble in States.

If your knowledge extends deep into the waters of security and cryptography, you might be knowing that prime numbers are really important in the field of encryption. Earlier this year in January, cryptographers were elated when a new world’s largest prime number was discovered.

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