In early September, the Hollywood producer Lawrence Bender — known for his work with Quentin Tarantino on films including “Pulp Fiction” and “Inglourious Basterds” — had what he later described as “a really tough conversation” with the investors in “Red Alert,” an Israeli miniseries that dramatizes the Hamas attacks of October 7, 2023.
With just weeks remaining before the anticipated release on the second anniversary of the attacks, the show, produced by Israeli mass media company Keshet Media Group, was struggling to secure distribution outside of Israel. The news environment was far from favorable: Israeli fighter jets had just attacked a residential compound in Qatar, and a pledge to boycott Israeli film institutions that were “implicated” in the genocide in the Gaza Strip had collected thousands of signatures in Hollywood.
“No one’s going to want to buy something from the Israelis,” Bender, an executive producer of “Red Alert,” told the investors, as he recalled on stage at a Jewish National Fund–USA conference the following month. Among those investors was the Israel Entertainment Fund, which JNF–USA established last year with the Israeli streaming service Izzy to produce television and film for international audiences, with a focus on projects filmed in the “Gaza Envelope” region of southern Israel. “We were pretty stressed about what we were going to do,” Izzy CEO Nati Dinnar, interviewing Bender on stage, recalled.
You must be logged in to post a comment.