But but but Top Gun!
Tag: propaganda
Scientists in China claim to have developed ‘mind-reading’ artificial intelligence
Researchers in China reportedly claimed this month that they had developed artificial intelligence capable of reading the human mind, though full information about the alleged breakthrough remains elusive shortly after it was announced.
Multiple media outlets reported this week that a since-deleted video posted online from the Hefei Comprehensive National Science Centre claimed to have produced software that can monitor both brain waves and facial recognition in order to determine if subjects are being sufficiently attentive to state propaganda.
The tool will reportedly be used to further solidify … confidence and determination to be grateful to the party, listen to the party and follow the party.”
Canadian Government Creates Pamphlet to Teach School Children that “Trump’s Wall” is Racist and “Free Speech” is Common Defense of “Hate Propaganda”
The free world is losing Canada.
Under the Trudeau regime Canadians continue to lose their rights to assemble, practice their religion, and speak freely. Now the government is teaching children that ‘free speech’ is a common defense of hate propaganda and a border wall between countries is racist.
A new government-funded booklet made for Canadian school children describes President Trump’s border wall with Mexico and free speech as two examples of hate.
The tool for children is titled: “Confronting and preventing hate in Canadian Schools.”
From page 31 of the pamphlet — President Trump’s border wall is described as a good example of hate.
The government-funded group also describes the conservative party as a group whose members include bigots, groypers, and white nationalists.
$150-million movie halted over Ukrainian ‘bad-guys’
The release of Guy Ritchie’s £125-million ($150-million) spy comedy Operation Fortune has been delayed a second time in order to remove the villains’ Ukrainian nationalities, the Daily Mail reported on Wednesday. Initially set to be released last January, the film is now scheduled for release later this year.
The offending characters are a group of Ukrainian gangsters who have purchased a deadly weapon, which the film’s heroes have to retrieve to foil their evil scheme. Sources told the Mail the gangsters’ characters have been edited so that they are no longer Ukrainian.
While there are “many bad guys in the film” and “the antagonists come from all over the world,” a source close to the production told the Mail that “out of sensitivity to the ongoing war in Ukraine it was decided some of these should no longer be identified as Ukrainian.”
Imperial Narrative Control Has Five Distinct Elements
All of our world’s worst problems are created by the powerful. The powerful will keep creating those problems until ordinary people use their superior numbers to make them stop. Ordinary people don’t use their superior numbers to stop the powerful because the powerful are continuously manipulating people’s understanding of what’s going on.
Humans are storytelling creatures. If you can control the stories humans are telling themselves about the world, you control the humans, and you control the world.
Mental narrative plays a hugely prominent role in human experience; if you’ve ever tried to still your mind in meditation you know exactly what I’m talking about. Babbling thought stories dominate our experience of reality. It makes sense then that if you can influence those stories, you’re effectively influencing someone’s experience of reality.
The powerful manipulate the dominant narratives of our society in approximately five major ways: propaganda, censorship, Silicon Valley algorithm manipulation, government secrecy, and the war on journalism. Like the fingers on a hand they are distinct from each other and each play their own role, but they’re all part of the same thing and work together toward the same goal. They’re all just different aspects of the US-centralized empire’s narrative control system.
How it started/how it is going…
British security state collaborator Paul Mason’s war on ‘rogue academics’ exposed
In his covert assault on antiwar scholars, “left-wing” journalist and security state collaborator Paul Mason enlisted an academic snitch who knew his targets well.
In the latest installment of The Grayzone’s ongoing investigation into the anti-democratic, security state-influenced activities of Paul Mason, we look at how one of Britain’s most prominent alleged left-wing journalists and an ever-expanding cast of covert helpers targeted scholars who dared challenge establishment narratives on the conflict in Ukraine.
Amidst his campaign to neutralize the UK antiwar left, Paul Mason declared in an email to several academics willing to inform on and undermine their own colleagues: “the far left rogue academics is who I’m after… The important task is to quarantine their ‘soft’ influencers and expose/stigmatise the hard ideologists.”
Mason’s fishing expedition was conducted in apparent coordination with Andy Pryce, a senior British intelligence official involved in a series of malign information warfare and censorship initiatives.
The journalist’s key academic enabler, self-styled counter-disinformation researcher Emma Briant, not only helped further his campaign to target antiwar figures, but furnished bogus claims about one individual which appears to have inspired a BBC smear piece on academic critics of the established narrative about killings of civilians in the Ukrainian town of Bucha. Many of those she snitched on considered her a colleague and even a comrade.
Rather than own up to the activities exposed by the leaked emails, Briant has engaged in lawfare, threatening The Grayzone with a formal “cease and desist” demand. Sent by her lawyer on June 10th, the filing falsely charged that Kit Klarenberg, one of the authors of this article, played a direct role in the “misappropriation” of private communications.
Briant’s legal counsel went on to threaten that his client would seek a “prohibitory injunction” to prevent further reporting on the leaked material, if not launch a claim for compensation due to “damage to her career and reputation,” if this outlet failed to comply with the demand.
Briant’s attempt to muzzle The Grayzone is understandable, for as we will see, she has a lot to hide.
The Guardian Churns Out Embarrassingly Awful Empire Propaganda
The Guardian has put out a smear piece on critics of the imperial Syria narrative that reads like propaganda made by seven year-olds without adult supervision.
The article was initially released under the headline “Russia-backed network of Syria conspiracy theorists identified,” which was then hastily edited to “Network of Syria conspiracy theorists identified,” because the article does not even make an attempt to argue that all of the so-called “conspiracy theorists” it smears are backed by the Russian government. It claims only that the Russian government has at times cited and amplified information about Syria which is inconvenient for the US empire, which, you know, duh. Obviously it’s going to do that.
Your first clue that you are reading brazen empire smut is the feature image The Guardian uses for the article: a cinematic shot of a member of the “White Helmets” heroically carrying a child in front of a destroyed building. The photo is credited to Sameer Al-Doumy, whose own website describes him as an anti-Assad activist since childhood. Even if you knew nothing about the Syrian conflict or the White Helmets narrative control operation, if you knew anything at all about propaganda and how it’s used you would still instantly recognize that photo for what it is.
“TOP GUN: MAVERICK” IS MILITARY PROPAGANDA. OFFICIAL DOCUMENTS PROVE IT
“Top Gun: Maverick” is a box-office smash, a massive hit with both critics and the public alike. Navy and Air Force units across the country have set up recruitment stalls inside movie halls, hoping to sign up individuals buzzed after watching the high-paced aviation action. But documents obtained under the Freedom of Information Act reveal that the movie was made only after an agreement was signed between Hollywood and the Pentagon, with the Navy insisting on “weav[ing] in” their “key talking points” in exchange for granting the production company extensive access to military hardware.
Investigative journalist Tom Secker, author of “National Security Cinema: The Shocking New Evidence of Government Control in Hollywood,” was one of those who obtained the documents. Secker explained that “Top Gun: Maverick” was made with an explicit agenda behind it, telling MintPress:
It’s about rehabilitation of the military’s image in the wake of numerous failed wars. The film also helps foreground human pilots flying an actual combat mission – something very rare in these days of high-altitude airstrikes and drone warfare. It helps distract from all the drone pilots who’ve spoken out about the misery and horror inherent in that job.”
The sequel to the hit 1980s movie “Top Gun,” the new film follows the story of Pete “Maverick” Mitchell over 30 years later, as the renegade pilot who does not play by the rules is brought in to train the Navy’s best young pilots for a secret mission to blow up a uranium enrichment facility [a site implied to be in Iran]. Maverick instead shows that he is still the best pilot and is selected for the mission himself.
The production agreement between the Department of Defense (DoD) and Paramount Pictures is an explicit quid pro quo. In exchange for all manner of technical support and access to military equipment and personnel, the Pentagon was allowed to “[a]ssign a senior staff, post-command Officer to review with public affairs the script’s thematics and weave in key talking points relevant to the aviation community.”
Ukrainian Official Admits She Lied About Russians Committing Mass Rape to Convince Countries to Send More Weapons
The top Ukrainian official who was fired for spreading misinformation has admitted that she lied about Russians committing mass rape in order to convince western countries to send more weapons to Ukraine.
Lyudmila Denisova, the former Ukrainian Parliamentary Commissioner for Human Rights, was removed from her position following a vote of no confidence in the Ukrainian parliament which passed by a margin of 234-to-9.
Parliament member Pavlo Frolov specifically accused Denisova of pushing misinformation that “only harmed Ukraine” in relation to “the numerous details of ‘unnatural sexual offenses’ and child sexual abuses in the occupied territories, which were unsupported by evidence.”
In an interview published by a Ukrainian news outlet, Denisova admitted that her falsehoods had achieved their intended goal.
“When, for example, I spoke in the Italian parliament at the Committee on International Affairs, I heard and saw such fatigue from Ukraine, you know? I talked about terrible things in order to somehow push them to make the decisions that Ukraine and the Ukrainian people need,” she said.
Hellbound and Down 
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