Say WHAT? Washington Post, USA Today Claim Biden Is ‘Impervious’ to Comedy

Remember the excuses peddled by comedians during the Obama years? This bright, handsome president is so smart, and thoughtful, there’s just nothing to poke fun at. We’ve tried oh, so hard, but it’s impossible.

They clung to that nonsense, hard, for eight solid years. Jay Pharoah, tasked with portraying the president on the hard-left Saturday Night Live, later admitted the NBC show “gave up” even trying. Except when they used “comedy” to praise him.

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PSU uses YouTube’s copyright reporting system to censor video exposing the college’s censorship

Portland State University (PSU) filed a false copyright claim with YouTube on a professor’s video that tried to expose the university’s effort to censor academic freedom of speech. The video followed a resolution passed by the university to silence critics of critical race theory.

PSU Professor Bruce Gilley recently published a report called The New Censorship in American Higher Education: Insights from Portland State University.”

The video, meant to accompany the report, included clips from a March 1 meeting of the faculty senate. During the meeting, the senate unanimously passed a resolution that deems critics of critical race theory bullies and anti-progressives.

His report claims that the resolution “imposes a gag order on criticisms of a university’s professors, programs, teaching, and research — criticism which is itself the heart of academic freedom — as an abuse of academic freedom.”

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Biden-boosting influencer ‘Brooklyn Dad’ slammed for taking PAC money

A Joe Biden-boosting social media influencer known as “Brooklyn Dad Defiant” came under fire Wednesday for reportedly failing to disclose that he accepted tens of thousands of dollars from a Democratic political action committee.

Majid Padellan, who runs the nearly 900,000-follower-strong Twitter account — and has been slammed previously for urging Bernie Sanders to drop out of the 2020 presidential race — allegedly accepted more than $57,000 from a pro-Biden PAC, Really American, last year, according to Refinery29.com, which cited tweets circulating Tuesday.

In his Twitter bio, Padellan says he’s a senior adviser to the PAC — but followers slammed him for failing to admit he allegedly got paid to post pro-Biden opinions and theories, according to the outlet.

“Brooklyn Dad being a paid Dem op is pretty unsurprising, it absolutely does pay to have/promote sh–ty political opinions in America,” one user tweeted.

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Criticizing Public Figures, Including Influential Journalists, is Not Harassment or Abuse

During Hillary Clinton’s ill-fated 2016 presidential campaign, one of the most common tactics used by her political and media supporters was to cast criticisms of her (largely from supporters of Bernie Sanders) not as ideological or political but as misogynistic, thus converting one of the world’s richest and most powerful political figures into some kind of a victim, exactly when she was seeking to obtain for herself the planet’s most powerful political office. There was no way to criticize Hillary Clinton — there still is not — without being branded a misogynist.

A very similar tactic was used four years later to vilify anyone criticizing Sen. Elizabeth Warren (D-MA) — also one of the world’s richest and most powerful figures — as she sought the power of the Oval Office. A major media theme was that she was being brutally assaulted by Sanders supporters who were using snake emojis to express dissatisfaction with what they believed was her less-than-scrupulous campaign, such as relying on millions of dollars in dark money from an anonymous Silicon Valley billionaire to stay in the race long after the immense failure of her campaign was manifest, and attempting to depict Sanders as a woman-hating cretin. When Warren finally withdrew from the race after having placed no better than third in any state including her own, Rachel Maddow devoted a good chunk of her interview with the Senator and best-selling author to exploring the deep trauma she experienced from the snake emojis.

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Biden AG Nominee Merrick Garland Wrote in 70s That Song About ‘Military Rape’ Was ‘Hilarious’

President Joe Biden’s attorney general nominee Merrick Garland as a college student at Harvard University wrote in a review of a musical that a song about rape was one of the play’s “hilarious group numbers.”

In a Harvard Crimson article published January 22, 1976, he wrote in a critique of the play (emphasis added):

A combination of factors, however, keep the vocal problems from becoming disastrous. Most important are the Jones-Schmidt songs themselves, simple and engaging melodies with a few tender ballads like “Try to Remember” and some hilarious group numbers like “it Depends on what You Pay,” which provides a shopping list of rapes for sale (e.g. “the military rape–it’s done with drums and a great brass band.”)

The play was “The Fantasticks,” performed by an all-freshmen cast. It is about a nearly 20-year-old college student and a 16-year-old girl, who are young lovers.

The article was submitted to the Senate Judiciary Committee on January 26, 2020, as part of a questionnaire Garland filled out for consideration by the committee next week. Question 12 asks the nominee to list published writings — books, articles, reports, letters to the editor, etc. — and public statements.

The song about rape has come under public scrutiny in the past for its lyrics, which include:

We’ve the obvious open schoolboy rape,
With little mandolins and perhaps a cape.
The rape by coach; it’s little in request.
The rape by day, but the rape by night is best.

Just try to see it.
And you will soon agree, señors,
Why
Invite regret,
When you can get the sort of rape
You’ll never ever forget.

You can get the rape emphatic.
You can get the rape polite.
You can get the rape with Indians:
A very charming sight.
You can get the rape on horseback;
They’ll all say it’s new and gay.
So you see the sort of rape
Depends on what you pay.
It depends on what you
Pay.

The song’s lyricist, Tom Jones, made changes to the song in 2006 when the play was revived in 2006.

“For years I didn’t think and then gradually it began to seep into my consciousness. My consciousness was raised. I really began to think, you know, rape isn’t funny,” Jones told NPR in 2006. The word “rape” was later changed to “abduction.”

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