Tag: film

YouTube Shuts Down Channels Using AI To Create Fake Movie Trailers Watched By Millions

 YouTube has terminated two prominent channels that used artificial intelligence to create fake movie trailers, Deadline can reveal.

The Google-owned video giant has switched off Screen Culture and KH Studio, which together boasted well over 2 million subscribers and more than a billion views.

The channels have been replaced with the message: “This page isn’t available. Sorry about that. Try searching for something else.”

Screen Culture and KH Studio were approached for comment. They are based in India and Georgia, respectively.

Earlier this year, YouTube suspended ads on Screen Culture and KH Studio following a Deadline investigation into fake movie trailers plaguing the platform since the rise of generative AI.

The channels later returned to monetization when they started adding “fan trailer,” “parody” and “concept trailer” to their video titles. But those caveats disappeared In recent months, prompting concern in the fan-made trailer community.

YouTube’s position is that the channels’ decision to revert to their previous behavior violated its spam and misleading-metadata policies. This resulted in their termination.

“The monster was defeated,” one YouTuber told Deadline following the enforcement action.

Deadline’s investigation revealed that Screen Culture spliced together official footage with AI images to create franchise trailers that duped many YouTube viewers.

Screen Culture founder Nikhil P. Chaudhari said his team of a dozen editors exploited YouTube’s algorithm by being early with fake trailers and constantly iterating with videos.

For example, Screen Culture had created 23 versions of a trailer for The Fantastic Four: First Steps by March, some of which outranked the official trailer in YouTube search results. More recent examples include HBO’s new Harry Potter series and Netflix’s Wednesday.

Our deep dive into fake trailers revealed that instead of protecting copyright on these videos, a handful of Hollywood studios, including Warner Bros Discovery and Sony, secretly asked YouTube to ensure that the ad revenue from the AI-heavy videos flowed in their direction. The studios declined to comment.

Disney properties featured prominently on Screen Culture and KH Studio. The Mouse House sent a cease-and-desist letter to Google last week, claiming that its AI training models and services infringe on its copyrights on a “massive scale.”

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Ken Burns’ “The American Revolution” as Cultural Marxist Revisionism

As Donald E. Vandergriff, a lifelong defender of American exceptionalism and unapologetic supporter of President Donald J. Trump and the MAGA movement, I’ve watched with growing alarm as the radical left infiltrates every corner of our shared history. The so-called “new” Ken Burns documentary, The American Revolution—a bloated 12-hour PBS snoozefest that premiered on November 16, 2025—just proves how far the elites will go to rewrite our founding story.

This isn’t history; it’s propaganda, a slick hit job designed to undermine the heroic narrative of our forefathers and replace it with the victimhood gospel of Cultural Marxism. Trump warned us about this: fake news and leftist indoctrination masquerading as education. And here it is, straight from the swamp of public broadcasting, defunded under Trump’s wise leadership yet still spewing its bile.

Burns, that self-appointed oracle of the past, has built a career on slow pans over sepia-toned images and folksy narration that lulls you into complacency before slipping in the knife. Remember his Vietnam War series? It humanized the commies while downplaying American resolve.

Or his Civil War update, where he couldn’t resist injecting modern woke commentary? This Revolution doc is more of the same—only now, timed for the 250th anniversary, it’s a deliberate assault on the very ideals that made America great.

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Free speech documentary cancelled by London cinema

A London cinema has banned a documentary about free speech because it does not “align with our values and mission”.

Think Before You Post was due to play at Rich Mix in east London on November 25, followed by a Q&A session with contributors, before its producers were informed that the venue had decided against hosting the event.

Tom Slater, the editor of Spiked magazine, the libertarian publication behind the film, said he was sadly not surprised by the decision.

He said: “The event could only be considered controversial by those who think free speech is controversial. The cultural sector is overrun with woke scolds who wouldn’t know what free speech is if it bit them on the Birkenstocks.

“I suppose we should be happy to have been proven right. But vindication is cold comfort when it comes at the cost of a great evening of screening the film and discussing it with our contributors, friends and supporters.”

Rich Mix told Slater that it had revoked his booking on Monday in an email seen by The Times.

The email said: “Since confirming your booking, it has come to light that the content and speakers featured do not align with our values and mission here at Rich Mix. Our founding objectives are to support marginalised communities (primarily communities facing racial inequity), promote intercultural understanding, eliminate racial discrimination and foster equality of opportunity through arts and culture.”

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University adds ‘trigger warning’ to James Bond novel ‘Dr. No’

An entertainment staple for over 50 years, the suave British spy James Bond has been featured in numerous novels and 26 films, the most recent being “No Time to Die,” actor Daniel Craig’s last as Agent 007.

News broke this past week that the film franchise’s new owner, Amazon Studios, digitally removed 007’s handgun from various Bond actors’ poses. But after fan outrage, Amazon put the guns back … and offered no explanation, according to OutKick.

The Pierce Brosnan pose for “Goldeneye” looked particularly stupid.

Now the University of Portsmouth in the U.K. has included the Bond novel “Dr. No” on a list of 50 books that have trigger warnings, according to The Telegraph.

“Please note: James Bond films and novels are popular to this day but contain many problematic issues such as racism, misogyny and xenophobia,” the university said. “We will be discussing the problems with this text in all of our seminars.”

The school said it “encourages students ‘to engage with teaching texts in an informed way’ through content notes.”

Content warnings recognise the diverse lived experience of students and that there can be content they will find challenging or potentially distressing as a result of their experiences. It is our duty of care to our students to do so. The warning enables students to prepare emotionally, engage more deeply and discuss the issues raised by the content critically and constructively.

Ian Kinane, a lecturer at the University of Roehampton and editor of the International Journal of James Bond Studies, defended the trigger warning.

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No Other Land Won an Oscar. Miami Beach’s Mayor Is Trying To Evict a Movie Theater for Screening It

The mayor of Miami Beach, Florida, is trying to terminate the lease of a movie theater for screening No Other Land, an Oscar-winning documentary about the Israel-Palestine conflict.

The Miami Herald reported that Miami Beach Mayor Steven Meiner introduced a resolution to terminate the lease of O Cinema, an independent film theater that rents space from the city, and discontinue more than $60,000 in promised grant funding. The legislation comes after Meiner tried to pressure the theater to cancel the screening.

Florida civil rights groups and First Amendment experts say such government retaliation against the theater for the content of the films it chooses to screen would be unconstitutional under the First Amendment.

“Simply put, the First Amendment does not allow the government to discriminate based on viewpoint or to retaliate against anyone for their speech,” says Daniel Tilley, legal director at the American Civil Liberties Union (ACLU) of Florida. “Pulling funding from an independent, community-based cinema under these circumstances is patently unconstitutional. The government does not get to pick and choose which viewpoints the public is allowed to hear, however controversial some might find them.”

The Miami Beach mayor’s office did not immediately respond to a request for comment. 

However, in a newsletter to Miami Beach residents earlier this week, Meiner wrote: “I am a staunch believer in free speech. But normalizing hate and then disseminating antisemitism in a facility owned by the taxpayers of Miami Beach, after O Cinema conceded the ‘concerns of antisemitic rhetoric,’ is unjust to the values of our city and residents and should not be tolerated.”

On March 5, Meiner sent O Cinema a letter on official city letterhead expressing outrage at the cinema’s decision to screen the film, which documents the destruction of Palestinian homes in the West Bank.

“Here in Miami Beach, our City has adopted a strong policy of support for the State of Israel in its struggle to defend itself and its residents against attacks by the terrorist organizations Hamas and Hezbollah,” the letter read. “Airing performances of the one-sided, inaccurate film ‘No Other Land’ at a movie theater facility owned by the City and operated by O Cinema is disappointing.”

This is flagrant government jawboning—an attempt to use the mayor’s bully pulpit and the implicit threat of government action to cow the theater into self-censorship.

O Cinema initially complied.

“Due to the concerns of antisemitic rhetoric, we have decided to withdraw the film from our programming,” Vivian Marthell, CEO of O Cinema, wrote to Meiner the following day. “This film has exposed a rift which makes us unable to do the thing we’ve always sought out to do which is to foster thoughtful conversations about cinematic works.”

However, the theater then reversed course and told the Miami Herald it would continue the screenings after all.

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A Bizarre Kind of Executive Action: The Suppression of Epochal Documentaries

“The old lie: Dulce et decorum est /Pro patria mori
(It is a sweet and fitting thing to die for one’s country”)
– Wilfred Owen

Yes, it seems fitting that I am writing these words on November 11, Veterans Day in the U.S. and Remembrance Day in Commonwealth countries, a day that began as Armistice Day to celebrate the ending of World War I, the “war to end all wars.”

That phrase has become a sardonic joke in the century that has followed as wars have piled up upon wars to create a permanent condition, and the censorship and propaganda that became acute with WW I have been exacerbated a hundredfold today. The number of dead soldiers and civilians in the century since numbs a mind intent on counting numbers, as courage, love, and innocence wails from skeletons sleeping deep in dirt everywhere. The minds of the living are ravished at the thought of so much death.

Almost a year ago I reviewed a film – Four Died Trying – about four American men who were assassinated by the U.S. government because they opposed the wars upon which their country had come to rely: President John F. Kennedy, Malcolm X, Rev. Martin Luther King, Jr., and Senator Robert F. Kennedy. I wrote of this documentary film, directed by John Kirby and produced by Libby Handros, that it was powerful, riveting, and masterful, the opening 58 minute prologue to a film series meant to be released at intervals over a few years. This prologue was released at the end of 2023 to great applause.
I wrote of it:

Today we are living the consequences of the CIA/national security state’s 1960s takeover of the country. Their message then and now: We, the national security state, rule, we have the guns, the media, and the power to dominate you. We control the stories you are meant to hear. If you get uppity, well-known, and dare challenge us, we will buy you off, denigrate you, or, if neither works, we will kill you. You are helpless, they reiterate endlessly. Bang. Bang. Bang.

But they lie, and this series of films, beginning with its first installment, will tell you why. It will show why understanding the past is essential for transforming the present. It will profoundly inspire you to see and hear these four bold and courageous men refuse to back down to the evil forces that shot them down. It will open your eyes to the parallel spiritual paths they walked and the similarity of the messages they talked about – peace, justice, racism, colonialism, human rights, and the need for economic equality – not just in the U.S.A. but across the world, for the fate of all people was then, and is now, linked to the need to transform the U.S. warfare state into a country of peace and human reconciliation, just as these four men radically underwent deep transformations in the last year of their brief lives.

This 58 minute prologue touches on many of themes that will follow in the months ahead. Season One will be divided into chapters that cover the four assassinations together with background material covering “the world as it was” in the 1950s with its Cold War propaganda, McCarthyism, the rise of the military-industrial complex, the CIA, red-baiting, and the ever present fear of nuclear war. Season Two will be devoted to the government and media coverups, citizen investigations, and the intelligence agencies’ and their media mouthpieces’ mind control operations aimed at the American people that continue today.

Then in March of this year I wrote about the second film in the series, The World As It Was, that explores the very disturbing history of the 1950s in the U.S.A., a decade that lay the foundation of fear upon which the horrors of the 1960s were built, and from which we now are reaping the flowers of evil that have sprung up everywhere we look because the evils of those decades have never been adequately addressed.

But I was hopeful that if enough people got see to see these illuminating and brilliantly done films, built on more than one hundred and twenty interviews over six years with key historical figures, including many family members of the four men, change was possible because more people would demand accountability. That the movies were also entertaining, despite their profoundly serious content, boded well for their reaching a wide audience.

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The True Story Behind The Conjuring: Where Is the Perron Family Now?

The Conjuring has spooked audiences for over a decade since its release, but the premise of the movie isn’t as fictitious as people may think.

The horror movie premiered in theaters in 2013 and quickly became a smash hit, grossing over $320 million at the global box office. The movie starred Lili Taylor and Ron Livingston as Roger and Carolyn Perron, two parents who try to protect their children from malicious spirits in their new home.

Desperate for help, the parents call in paranormal investigators Ed and Lorraine Warren (Vera Farmiga and Patrick Wilson), who reveal that the spirit of an alleged witch named Bathsheba Sherman is the one harming the family.

The Conjuring transformed the Warrens into folk heroes and turned the Rhode Island farmhouse where the events supposedly took place into a tourist hotspot. In 2022, the home was sold for a whopping $1.5 million, thanks to the film’s fame.

However, while the movie is based on the Perrons’ true experiences, the majority of the film is fictionalized.

“Even though The Conjuring is an excellent film for what it is, it’s about 95 percent fiction and about five percent hard truth,” the Perrons’ daughter, Andrea Perron, told Canada’s Global News in 2021.

But what’s the true story behind the notorious haunting, and where is the real Perron family now? Here’s everything to know about the tale that inspired The Conjuring.

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New Film Commemorates Legacy Of Lawyer Who Exposed Conspiracy To Murder MLK

 Conventional wisdom holds that James Earl Ray was a deranged white supremacist who killed Martin Luther King, Jr., on April 4, 1968.

Research carried out by King family attorney William F. Pepper determined, however, that King was really killed in a conspiracy coordinated by FBI Director J. Edgar Hoover.

Pepper died in April. He is the focus of a new film by John Barbour, with Len Osanic, A Tribute to William Pepper, that was screened on July 30 at American University at the 12th Annual Whistleblower Summit in Washington, D.C.

Barbour is a Canadian-born comedian, actor and TV host who directed two documentary films on Jim Garrison, the New Orleans District Attorney who uncovered a conspiracy to kill John F. Kennedy that involved elements of the CIA.

In introducing his film, Barbour said that Pepper and Garrison should be regarded, along with Abraham Lincoln, as among the greatest lawyers in U.S. history.

A Tribute to William Pepper begins by detailing the friendship that developed between Pepper and King after Pepper wrote an article in the countercultural magazine Ramparts in 1967 about the use of napalm in Vietnam called “The Children of Vietnam.”

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Trinity and the Parts Left Out of Oppenheimer

Every year at this time I trace the final days leading to the first use of the atomic bomb against two cities, Hiroshima and Nagasaki, in August 1945.   In this way the fateful, and in my view, tragic decisions made by President Truman, his advisers, and others, can be judged more clearly in “real time.”  As some know, this is a subject that I have explored in hundreds of articles, thousands of posts,  and in three books, since 1984:  Hiroshima in America (with Robert Jay Lifton), Atomic Cover-up and my recent award-winner on the first atomic movie, The Beginning or the End.   Now I’ve directed an award-winning documentary. Here’s today’s entry. You can still subscribe to this newsletter for free.

While most people trace the dawn of the nuclear era to August 6, 1945, and the dropping of the atomic bomb over the center of Hiroshima, it really began three weeks earlier, in the desert near Alamogordo, New Mexico, with the top-secret Trinity test. Its 79rd anniversary will be marked – or mourned today.

Entire books have been written about the test, so I’ll just touch on one key issue here briefly.  It’s related to a hallmark of the age that would follow: a new government obsession with secrecy, which soon spread from the nuclear program to all military and foreign affairs in the cold war era.

In completing their work on building the bomb, Manhattan Project scientists knew it would produce deadly radiation but weren’t sure exactly how much. The military planners were mainly concerned about the bomber pilots catching a dose, but J. Robert Oppenheimer, “The Father of the Bomb,” worried, with good cause (as it turned out) that the radiation could drift a few miles and also fall to earth with the rain.

Indeed, scientists warned of danger to those living downwind from the Trinity site but, in a pattern-setting decision, the military boss, General Leslie Groves, ruled that residents not be evacuated and kept completely in the dark (at least until they spotted a blast brighter than any sun). Nothing was to interfere with the test. When two physicians on Oppenheimer’s staff (though not Oppie himself) proposed an evacuation, Groves replied, “What are you, Hearst propagandists?”

Admiral Williams Leahy, President Truman’s chief of staff – who opposed dropping the bomb on Japan – placed the bomb in the same category as “poison gas.” And, sure enough, soon after the shot went off before dawn on July 16, scientists monitored some alarming evidence. Radiation was quickly settling to earth in a band thirty miles wide by 100 miles long. A paralyzed mule was discovered twenty-five miles from ground zero.

Still, it could have been worse; the cloud had drifted over loosely-populated areas. “We were just damn lucky,” the head of radiological safety for the test later affirmed.

The local press knew nothing about any of this. When the shock wave had hit the trenches in the desert, Groves’ first words were: “We must keep the whole thing quiet.” This set the tone for the decades that followed, with tragic effects for “downwinders” and others tainted across the country, workers in the nuclear industry, “atomic soldiers,” those who questioned the building of the hydrogen bomb and an expanding arms race, among others.

Naturally, reporters were curious about the big blast, however, so Groves released a statement written by W.L. Laurence (who was on leave from the New York Times and playing the role of chief atomic propagandist) announcing that an ammunition dump had exploded.

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AMC Slaps Trigger Warning On Goodfellas For Lack Of ‘Inclusion And Tolerance’

AMC has angered audiences by placing a trigger warning on the classic mobster movie Goodfellas, noting that it lacks “inclusion and tolerance.”

The New York Post notes that “AMC Networks added a trigger warning to the classic mob movie Goodfellas — rankling those who were in the film and wiseguys alike.”

The warning noted that “This film includes language and/or cultural stereotypes that are inconsistent with today’s standards of inclusion and tolerance and may offend some viewers.”

It’s a film about the mafia directed by Martin Scorsese and starring Robert De Niro, Ray Liotta, and Joe Pesci. It isn’t supposed to be inclusive.

It is also based on a true story about Henry Hill, the infamous mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980.

Pretty sure that he wasn’t tolerant or inclusive.

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