
Pretty much…



“Cuban Outbreak of Swine Fever Linked to CIA” headlined a January 9, 1977, article by Drew Featherston and John Cummings in Newsday, a Long Island, New York, daily paper. It began,
With at least the tacit backing of U.S. Central Intelligence Agency officials, operatives linked to anti-Castro terrorists introduced African swine fever virus into Cuba in 1971. Six weeks later an outbreak of the disease forced the slaughter of 500,000 pigs to prevent a nationwide animal epidemic.
A U.S. intelligence source told Newsday he was given the virus in a sealed, unmarked container at a U.S. Army base and CIA training ground in the Panama Canal Zone, with instructions to turn it over to the anti-Castro group.
The 1971 outbreak, the first and only time the disease has hit the Western Hemisphere, was labeled the “most alarming event” of 1971 by the United Nations Food and Agricultural Organization. African swine fever is a highly contagious and usually lethal viral disease that infects only pigs and, unlike swine flu, cannot be transmitted to humans. There were no human deaths in the outbreak, but all production of pork, a Cuban staple, came to a halt, apparently for several months. . . .
The U.S. intelligence source said that early in 1971 he was given the virus in a sealed, unmarked container at Ft. Gulick, an Army base in the Panama Canal Zone. The CIA also operated a paramilitary training center for career personnel and mercenaries at Ft. Gulick. . . .
Another man involved in the operation, a Cuban exile who asked not to be identified, said he was on the trawler where the virus was put aboard at a rendezvous point off Bocas del Toro, Panama. He said the trawler carried the virus to Navassa Island, a tiny, deserted, U.S.-owned island between Jamaica and Haiti. From there, after the trawler made a brief stopover, the container was taken to Cuba and given to other operatives on the southern coast near the U.S. Navy base at Guantanamo Bay in late March, according to the source on the trawler.
It was an explosive story, reprinted in newspapers across the country. The CIA officially denied it six days later, in response to a request from the U.S. Senate Select Committee on Intelligence, but the Newsday reporters had cited so many corroborating sources, with such specific details, that the denial was not widely believed.
The most compelling reason for trusting the credibility of the Newsday report was that the only place in the Western Hemisphere where the virus was known to have been kept before the outbreak in Cuba was at the secret Plum Island Animal Disease Center (PIADC) laboratory off the eastern tip of Long Island, where local Newsday reporters had been cultivating sources since the one and only time reporters had been allowed inside in October 1971.
Plum Island had hosted the U.S. Army Chemical Corps base at Fort Terry from 1952 to 1956. According to Deadly Cultures: Biological Weapons since 1945 by Mark Wheelis and Lajos Rózsa, the mission at Fort Terry was “to establish and pursue a program of research and development of certain anti-animal (BW) agents.” (a.k.a. biological weapons) The U.S. Department of Agriculture (USDA) took over from the Army in 1956.
President Richard Nixon ordered biological weapons research to cease in 1969, but in 1975 the U.S. Senate Select Committee on Intelligence revealed that the CIA had continued to maintain a stockpile of biological agents and toxins in violation of the order.
Last Tuesday, while most Americans were distracted by the first US presidential debate, NPR quietly reported that the US government’s Operation Warp Speed, a public-private partnership launched by the Trump administration to rapidly develop and distribute a Covid-19 vaccine, had taken the unusual step of awarding contracts to vaccine companies, not directly, but through a secretive defense contractor.
Though NPR named thedefense contractor—South Carolina–based Advanced Technology International—they declined to explore the company’s deep ties to the CIA, Department of Homeland Security, and the Department of Defense and how ATI is helping to lead those agencies’ efforts to militarize health care and create a surveillance panopticon that not only monitors the world around us but our physiology as well.
The “secret” vaccine contracts awarded through ATI as part of Warp Speed total approximately $6 billion, accounting for the majority of Operation Warp Speed’s $10 billion budget. Both Paul Mango, Health and Human Services’ deputy chief of staff for policy, and Robert Kadlec, HHS assistant secretary for preparedness and response (ASPR), personally signed off on the contracts.
Operation Warp Speed, which officially involves the combined efforts of HHS and the military to deliver over 300 million Covid-19 vaccines to Americans by next January, is a highly secretive program dominated by military personnel, most of whom have no experience in health care or vaccine production. The Trump administration has often compared Warp Speed to the Manhattan Project, which produced the atomic bomb.
Several very unsettling revelations about the true nature and scope of Warp Speed, including the out-sized role of ATI, began to emerge starting last Monday. Yet, most of this new information was not covered by US news outlets due to the media frenzy surrounding the first presidential debate and the subsequent news that President Trump and several other politicians and White House officials had tested positive for Covid-19.
For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko – as a weapon in the Cold War. In the manner of a Renaissance prince – except that it acted secretly – the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art – President Truman summed up the popular view when he said: “If that’s art, then I’m a Hottentot.” As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.
Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
The existence of this policy, rumoured and disputed for many years, has now been confirmed for the first time by former CIA officials. Unknown to the artists, the new American art was secretly promoted under a policy known as the “long leash” – arrangements similar in some ways to the indirect CIA backing of the journal Encounter, edited by Stephen Spender.

Now in its second week, Julian Assange’s extradition hearing at the Old Baily in London just heard explosive testimony based on previously reported revelations that the CIA had actively plotted to assassinate him, by either poisoning or via a kidnapping plot.
The testimony is part of the defense team’s attempt to frame the US extradition case as entirely political in nature, and not based on breaking US law, but also toward convincing the judge that the WikiLeaks founder would certainly face extreme and excessive punishment, which would be cause for Britain to block the extradition.
Though mainstream media has by and large ignored much of the bombshell testimony from the hearing since last week, this latest cloak-and-dagger type information detailing just how far US intelligence was willing to go is impossible to ignore.

In the closing days of World War 2, the Joint Chiefs of Staff approved the offensive use of germ warfare aimed at destroying enemy crops, placing final approval at the discretion its top commanders in the field, according to Office of Strategic Services (OSS) documents formerly classified “Secret” and “Top Secret” held in the National Archives.
Actual approval by U.S. authorities for the offensive use of any type of biological warfare has never been published before. As we shall see, it was the practice of the U.S. government to only pass on such orders orally. Most likely this was because the orders involved actions widely deemed to be illegal.
The Washington Post, whose sole owner is a CIA contractor, has published yet another anonymously sourced CIA press release disguised as a news report which just so happens to facilitate longstanding CIA foreign policy
In an article titled “Secret CIA assessment: Putin ‘probably directing’ influence operation to denigrate Biden”, WaPo’s virulent neoconservative war pig Josh Rogin describes what was told to him by unnamed sources about the contents of a “secret” CIA document which alleges that Vladimir Putin is “probably” overseeing an interference operation in America’s presidential election.
True to form, at no point does WaPo follow standard journalistic protocol and disclose its blatant financial conflict of interest with the CIA when promoting an unproven CIA narrative which happens to serve the consent-manufacturing agendas of the CIA for its new cold war with Russia.
And somehow in our crazy, propaganda-addled society, this is accepted as “news”.
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