Tag: propaganda

Not News But A Juicy Collection Of Narratives – How The New York Times Failed Its Readers

The striving for ‘juicy narratives’ is the biggest mistake of current news media. Their attempt to copy the success of Hollywood dramas by creating narratives has destroyed their credibility. It has put incentives on the wrong aspect of a reporter’s work. Instead of requiring well checked facts the editors are now asking for confirmations of preconceived tales:

What is clear is that The Times should have been alert to the possibility that, in its signature audio documentary, it was listening too hard for the story it wanted to hear — “rooting for the story,” as The Post’s Erik Wemple put it on Friday.

Callimachi is far from the only one guilty of creating fake news to fulfill her editors demand of narratives. The four year long coverage of ‘Russiagate’, the fairytale collection of made up connections between Donald Trump and Russia, was full of such. The editorial push towards narratives is rooted in the desire to create clickbait and to generate a social media echo around the reporting. That may be profitable in the short term but it is also a guarantee for a long term failure.

False of hyped narratives will over time get debunked. People then lose trust in the media that provided them with the fake news. That again will cause a long term loss of readership.

Keep reading

Modern art was CIA ‘weapon’

For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko – as a weapon in the Cold War. In the manner of a Renaissance prince – except that it acted secretly – the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art – President Truman summed up the popular view when he said: “If that’s art, then I’m a Hottentot.” As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.

The existence of this policy, rumoured and disputed for many years, has now been confirmed for the first time by former CIA officials. Unknown to the artists, the new American art was secretly promoted under a policy known as the “long leash” – arrangements similar in some ways to the indirect CIA backing of the journal Encounter, edited by Stephen Spender.

Keep reading

Journalism’s New Propaganda Tool: Using “Confirmed” to Mean its Opposite

IT SEEMS THE SAME MISLEADING TACTIC is now driving the supremely dumb but all-consuming news cycle centered on whether President Trump, as first reported by the Atlantic’s editor-in-chief Jeffrey Goldberg, made disparaging comments about The Troops. Goldberg claims that “four people with firsthand knowledge of the discussion that day” — whom the magazine refuses to name because they fear “angry tweets” — told him that Trump made these comments. Trump, as well as former aides who were present that day (including Sarah Huckabee Sanders and John Bolton), deny that the report is accurate.

So we have anonymous sources making claims on one side, and Trump and former aides (including Bolton, now a harsh Trump critic) insisting that the story is inaccurate. Beyond deciding whether or not to believe Goldberg’s story based on what best advances one’s political interests, how can one resolve the factual dispute? If other media outlets could confirm the original claims from Goldberg, that would obviously be a significant advancement of the story.

Other media outlets — including Associated Press and Fox News — now claim that they did exactly that: “confirmed” the Atlantic story. But if one looks at what they actually did, at what this “confirmation” consists of, it is the opposite of what that word would mean, or should mean, in any minimally responsible sense. AP, for instance, merely claims that “a senior Defense Department official with firsthand knowledge of events and a senior U.S. Marine Corps officer who was told about Trump’s comments confirmed some of the remarks to The Associated Press,” while Fox merely said “a former senior Trump administration official who was in France traveling with the president in November 2018 did confirm other details surrounding that trip.”

In other words, all that likely happened is that the same sources who claimed to Jeffrey Goldberg, with no evidence, that Trump said this went to other outlets and repeated the same claims — the same tactic that enabled MSNBC and CBS to claim they had “confirmed” the fundamentally false CNN story about Trump Jr. receiving advanced access to the WikiLeaks archive. Or perhaps it was different sources aligned with those original sources and sharing their agenda who repeated these claims. Given that none of the sources making these claims have the courage to identify themselves, due to their fear of mean tweets, it is impossible to know.

Keep reading