It’s Now Offensive to Listen to Long Dead Russian Composers

The Cardiff Philharmonic in Wales canceled a concert scheduled for tonight which was to feature Russian composer Tchaikovsky.

Although he has been dead for 129 years, two of his featured pieces celebrate Russian military victories. The 1812 Overture celebrates Russia’s defeat of Napoleon’s invading army, and Marche Slave commemorates Russia’s involvement in the Serbian-Ottoman War.

The orchestra’s director said they “were also made aware at the time that the title ‘Little Russian’ of Symphony No. 2 was deemed offensive to Ukrainians.”

Meanwhile in Canada, a living Russian pianist, Alexander Malofeev, was canceled just for being Russian.

The Orchestre Symphonique de Montréal canceled three performances by the young pianist scheduled for last week.

It said, “Considering the serious impact on the civilian population of Ukraine caused by the Russian invasion… OSM feels that it would be inappropriate to receive Mr. Malofeev this week.”

The baby-faced 20 year old even denounced Russia’s invasion, despite the risk to his family still in Russia.

Apparently just being Russian, whether 129 years dead or barely an adult, makes you guilty of Putin’s crimes.

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Click here to read about Tchaikovsky and here for Malofeev.

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We’re Moving Into More Dangerous Mob Mentality

We’ve seen with BLM, COVID, and other topics how the narrative can get out of control and squash the people who question or counter it. We saw, in Canada, to what lengths the government would go to crush peaceful protest — not by legitimately arresting people who might be blocking a street — but by doing things like freezing people’s bank accounts without due process of law and blocking GoFundMe accounts to crush the protest.

We’re seeing something like that bubble up again when it comes to the situation with Russia and Ukraine. Sanctions on the government of Russia — or oligarchs who prop it up — make a lot of sense. But discriminating against all Russians and all things Russian because you think that somehow virtue signals that you care is madness. That shouldn’t need to be said. But, it does, because that’s exactly what some are doing. It’s a crushing of people who the narrative deems “wrong”– in this case, for the “crime” of being Russian.

Alexander Malofeev is a 20-year-old piano prodigy. He isn’t an oligarch and he isn’t a friend of Vladimir Putin. He’s just a guy who had piano performances scheduled with the Montreal Symphony Orchestra over the past few days. But they were canceled. Not because he supported the war — he was against the invasion and he said so. He even has family members in Ukraine. But because he happened to be Russian.

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The Censored

In the U.S., people should be able to access all information they wish to see except that which is illegal.

However, the heavy hand of censorship is quickly becoming a sledgehammer, guided by political and corporate interests eager to manipulate the information landscape for their own goals.

As such, this page intends to highlight and give access to people, ideas and scientific studies that have been controversialized or censored by some in the media. Click the links to see the censored material and background.

The presence of an idea, study or person here should not be taken as advocacy or verification of any particular position. It is simply a recognition that you have the right to see all material and make up your own mind.

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Cardiff Philharmonic removes Tchaikovsky from programme in light of Russian invasion of Ukraine

The Cardiff Philharmonic Orchestra has removed Tchaikovsky from its programme of its upcoming concert ‘in light of the recent Russian invasion’.

Tchaikovsky’s 1812 Overture was due to be included in the orchestra’s upcoming all-Tchaikovsky concert at St David’s Hall on 18 March, but it was considered by the orchestra ‘to be inappropriate at this time’.

The 1812 Overture was written to commemorate the successful Russian defence against Napoleon’s invasion in 1812, featuring cannon fire, chimes and a brass fanfare. The piece was due to be performed alongside another militaristic work by Tchaikovsky: his 1876 Marche slave, written to celebrate Russia’s involvement in the Serbian-Ottoman War. The composer’s Second Symphony was the final piece in the programme.

The orchestra will instead present a programme centred around Dvořák’s Symphony No. 8, with John Williams‘s The Cowboys Overture opening the concert, and a performance of Elgar‘s Enigma Variations in the second half.

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Leftists with ‘disinformation’ links launch all-out war on conservative news sites

Activists linked to a left-wing disinformation network are pressuring advertisers to cut ties with conservative news sites.

Check My Ads, a group started by Sleeping Giants co-founder and activist Nandini Jammi and advertising consultant Claire Atkin, bills itself as “Adtech’s first watchdog” and claims to “cut disinformation off at the source.” The organization attempts to curb the spread of what it deems misleading or hateful content by pressuring advertisers and ad exchanges to sever business relationships with certain news and commentary sites.

The targets, almost invariably, are conservative publications such as Human Events and The Post Millennial, and right-wing media figures such as Dan Bongino and Charlie Kirk.

Check My Ads recently took credit for helping to kick conservative talk show host Dan Bongino’s website, Bongino.com, off Google’s ad service Friday, with Jammi celebrating Google’s decision as a “final, devastating blow” to Bongino and exclaiming “we did it!”

The group is currently targeting conservative magazine Human Events, focusing on senior editor Jack Posobiec whom the group describes as a “white nationalist and Pizzagate conspiracy theorist.”

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The Pressure Campaign on Spotify to Remove Joe Rogan Reveals the Religion of Liberals: Censorship

American liberals are obsessed with finding ways to silence and censor their adversaries. Every week, if not every day, they have new targets they want de-platformed, banned, silenced, and otherwise prevented from speaking or being heard (by “liberals,” I mean the term of self-description used by the dominant wing of the Democratic Party).

For years, their preferred censorship tactic was to expand and distort the concept of “hate speech” to mean “views that make us uncomfortable,” and then demand that such “hateful” views be prohibited on that basis. For that reason, it is now common to hear Democrats assert, falsely, that the First Amendment’s guarantee of free speech does not protect “hate speech.” Their political culture has long inculcated them to believe that they can comfortably silence whatever views they arbitrarily place into this category without being guilty of censorship.

Constitutional illiteracy to the side, the “hate speech” framework for justifying censorship is now insufficient because liberals are eager to silence a much broader range of voices than those they can credibly accuse of being hateful. That is why the newest, and now most popular, censorship framework is to claim that their targets are guilty of spreading “misinformation” or “disinformation.” These terms, by design, have no clear or concise meaning. Like the term “terrorism,” it is their elasticity that makes them so useful.

When liberals’ favorite media outlets, from CNN and NBC to The New York Times and The Atlantic, spend four years disseminating one fabricated Russia story after the next — from the Kremlin hacking into Vermont’s heating system and Putin’s sexual blackmail over Trump to bounties on the heads of U.S. soldiers in Afghanistan, the Biden email archive being “Russian disinformation,” and a magical mystery weapon that injures American brains with cricket noises — none of that is “disinformation” that requires banishment. Nor are false claims that COVID’s origin has proven to be zoonotic rather than a lab leak, the vastly overstated claim that vaccines prevent transmission of COVID, or that Julian Assange stole classified documents and caused people to die. Corporate outlets beloved by liberals are free to spout serious falsehoods without being deemed guilty of disinformation, and, because of that, do so routinely.

This “disinformation” term is reserved for those who question liberal pieties, not for those devoted to affirming them. That is the real functional definition of “disinformation” and of its little cousin, “misinformation.” It is not possible to disagree with liberals or see the world differently than they see it. The only two choices are unthinking submission to their dogma or acting as an agent of “disinformation.” Dissent does not exist to them; any deviation from their worldview is inherently dangerous — to the point that it cannot be heard.

The data proving a deeply radical authoritarian strain in Trump-era Democratic Party politics is ample and have been extensively reported here. Democrats overwhelmingly trust and love the FBI and CIA. Polls show they overwhelmingly favor censorship of the internet not only by Big Tech oligarchs but also by the state. Leading Democratic Party politicians have repeatedly subpoenaed social media executives and explicitly threatened them with legal and regulatory reprisals if they do not censor more aggressively — a likely violation of the First Amendment given decades of case law ruling that state officials are barred from coercing private actors to censor for them, in ways the Constitution prohibits them from doing directly.

Democratic officials have used the pretexts of COVID, “the insurrection,” and Russia to justify their censorship demands. Both Joe Biden and his Surgeon General, Vivek Murthy, have “urged” Silicon Valley to censor more when asked about Joe Rogan and others who air what they call “disinformation” about COVID. They cheered the use of pro-prosecutor tactics against Michael Flynn and other Russiagate targets; made a hero out of the Capitol Hill Police officer who shot and killed the unarmed Ashli Babbitt; voted for an additional $2 billion to expand the functions of the Capitol Police; have demanded and obtained lengthy prison sentences and solitary confinement even for non-violent 1/6 defendants; and even seek to import the War on Terror onto domestic soil.

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The Age of Intolerance: Cancel Culture’s War on Free Speech

“Political correctness is fascism pretending to be manners.”—George Carlin

Cancel culture—political correctness amped up on steroids, the self-righteousness of a narcissistic age, and a mass-marketed pseudo-morality that is little more than fascism disguised as tolerance—has shifted us into an Age of Intolerance, policed by techno-censors, social media bullies, and government watchdogs.

Everything is now fair game for censorship if it can be construed as hateful, hurtful, bigoted or offensive provided that it runs counter to the established viewpoint.

In this way, the most controversial issues of our day—race, religion, sex, sexuality, politics, science, health, government corruption, police brutality, etc.—have become battlegrounds for those who claim to believe in freedom of speech but only when it favors the views and positions they support.

Free speech for me but not for thee” is how my good friend and free speech purist Nat Hentoff used to sum up this double standard.

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