A couple of nights ago I had a brief conversation with Allen West—who is currently serving as chairman of the Republican Party of Texas—about the subject of “White Guilt.” He expressed the opinion that affluent white women are being terribly manipulated by ruthless actors who harp on their feelings of guilt about the injustices suffered by black people in the past.
I replied that these women are not suffering from a genuinely guilty conscience, but enjoy congratulating themselves for the sense of moral superiority they obtain by ruminating on and discussing their “guilt.”
This feeling is akin to the genuine sense of relief and liberation we achieve when we confess and make amends for our true transgressions against others. Only, in the case of affluent white women indulging in feelings of “white guilt,” they get to enjoy this gratification not for the absolution of their own sins, but for the sins of other, less enlightened souls. Thus, the emotional exercise is not a form of humility, but of self-aggrandizement.
Oscar Wilde characterized this kind of self-indulgent emotion as sentimentality.
A sentimentalist is simply one who wants to have the luxury of an emotion without paying for it. We think we can have our emotions for nothing. We cannot. Even the finest and most self-sacrificing emotions have to be paid for. Strangely enough, that is what makes them fine.
In the 2001 film Storytelling, a dark satire directed by Todd Solondz, a young white female—a literary major at a prestigious university—puts herself in a life threatening situation with a literature professor (who happens to be black) in order to absolve herself of her white guilt. For her, the professor’s moral trait lies not in his character—which is obviously predatory and exploitative—but in his dark skin color. By yielding to his predatory conduct, she not only corrupts herself, but also contributes to the further moral corruption of her professor.
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