Turkish stand-up comedian Deniz Göktaş was detained at passport control at an Istanbul airport on Thursday while returning to Türkiye from abroad. Since June 24, Göktaş had been targeted by pro-government media and right-wing circles, with open calls for his arrest over his widely acclaimed political comedy special “Ölü Deniz” (Dead Sea). His detention marks a dangerous escalation of attacks on art and freedom of expression in Türkiye.
The World Socialist Web Site and the Sosyalist Eşitlik Partisi – Dördüncü Enternasyonal (Socialist Equality Party – Fourth International) demand the immediate release of Deniz Göktaş, the dropping of the investigation against him and a halt to all attacks on art and freedom of expression.
The Istanbul Chief Public Prosecutor’s Office had launched an investigation into Göktaş on the baseless charge of “publicly denigrating the religious values embraced by a section of the population” over jokes in the show, which was staged on June 1 at the Harbiye Cemil Topuzlu Open-Air Theatre and released on YouTube on June 24. The prosecutor’s office publicly announced the investigation, describing Göktaş as a “suspect” in whose social media content “elements of a crime” had been identified. Earlier, posts on X containing excerpts from the show had been blocked by court order on the grounds of “protecting national security and public order.” In a statement before his detention, Göktaş said that “no official information” had reached him and that he had no plans to live outside Türkiye.
The roughly 90-minute show was viewed more than 1 million times within 24 hours of its release and had surpassed 8.5 million views as of July 2. Notably, Göktaş made the show freely available to everyone on YouTube rather than on a paid digital platform, with monetization turned off and no ads. Reaching millions of workers and young people, the show became “dangerous” in the eyes of the ruling elite. At the same time, this immense public interest was itself a mass response to the attempt to suppress Göktaş.
“Ölü Deniz” is a satire directed not at individuals but at the political and media establishment as a whole. Göktaş’s subjects included the 32-year political career of President Recep Tayyip Erdoğan; the revocation of the university diploma of Ekrem İmamoğlu, the jailed Istanbul metropolitan mayor from the Kemalist Republican People’s Party (CHP); the police raid on the CHP’s headquarters following a court’s “absolute nullity” ruling against the party; the mass protests that erupted against İmamoğlu;s arrest; the ensuing widespread arrests; and mainstream media figures. While directing his sharpest political barbs at Erdoğan’s Justice and Development Party (AKP), in power since 2002, he did not spare the CHP, and he also satirized Turkish nationalism and its contradictions on the Kurdish question.
One of the most striking features of the show was that censorship is itself its subject. Göktaş recounts that the legal opinion he received from lawyers on “Selam Selam,” his first show, was: “Never release it.” On stage, he satirizes a nightmare in which he sees himself on the gallows, and the ranks of the “intellectuals” in his family—the intellectual in exile, the intellectual in prison, the dead intellectual. He is fully aware of the historical price of being a dissident artist in Turkey.
Hellbound and Down 