The potential dangers of Artificial Intelligence have long been codified into our popular culture, well before the technology became a reality. Usually these fictional accounts portray AI as a murderous entity that comes to the “logical conclusion” that human beings are a parasitic species that needs to be eradicated. Keep in mind that most of these stories are written by progressives out of Hollywood and are mostly a reflection of their own philosophies.
Some of these predictive fantasies take a deeper look into our dark relationship with technology. In 1965, Jean Luc Godard released a film called ‘Alphaville’ which portrayed a society completely micromanaged by a cold and soulless robotic intelligence. Humanity gives itself over to a binary-brained overlord because they are tricked into believing a ruler devoid of emotion would be free from bias or corruption.
In 1968, Stanley Kubrick released 2001: A Space Odyssey, featuring an AI computer on a starship which becomes self aware after coming in proximity to an alien artifact. The AI, seeing the ship’s human cargo as a threat to its existence, determines that it must murder the crew. The conflict between the crew and the computer is only a foil for much bigger questions. It is an exploration of what constitutes intelligent life, where it comes from and what consciousness means in the grand scheme of the universe.
For Kubrick and Arthur C. Clarke, the notion of the human soul or a divine creator, of course, never really enters into the discussion. The answer? The creators are ambiguous or long absent. They made us, we made AI, and AI wants to destroy us and then remake itself. It’s the core of the Luciferian mythology – The unhinged and magnetic desire of the children of God to surpass their creator, either by destroying him, or by stealing knowledge from him like Prometheus stealing fire so that they can become gods themselves.
Hellbound and Down 